![Snow White: A Tale of Terror [Original Motion Picture Soundtrack]](data:image/gif;base64,R0lGODlhAQABAIAAAAAAAP///yH5BAEAAAAALAAAAAABAAEAAAIBRAA7 "Snow White: A Tale of Terror [Original Motion Picture Soundtrack]")
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John Ottman (born July 6, 1964) is an American film composer, director, and editor. He is best known for collaborating with director Bryan Singer, composing and/or editing many of his films, including Public Access (1993), The Usual Suspects (1995), Superman Returns (2006), Valkyrie (2008) and Jack the Giant Slayer (2013), as well as the X-Men ...
John Ottman is a versatile and award-winning filmmaker who has composed and edited many films, including The Usual Suspects, X-Men, and Bohemian Rhapsody. He also has experience as a producer, director, and actor, and has worked with director Bryan Singer on several projects.
- January 1, 1
- John Ottman
- San Diego, California, USA
Dec 11, 2021 · John Ottman, a composer and editor of many films, talks about his first directorial experience on Star Trek: Discovery Season 4 Episode 4. He shares the challenges and joys of shooting a survival adventure and a political summit on a Star Trek show.
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Apr 15, 2024 · Editor, composer, director and producer John Ottman is teaming with film and music industry executive David Franco to develop a dramatic biopic based on the life of world-renowned Italian...
John Ottman (born July 6, 1964) is an American film composer and editor. He is best known for collaborating with director Bryan Singer, composing and/or editing many of his films, including Public Access (1993), The Usual Suspects (1995), Superman Returns (2006), Valkyrie (2008) and Jack the Giant Slayer (2013), as well as the X-Men film series.
Oct 30, 2021 · For today’s episode, I had the honor and pleasure of talking to John Ottman, best known as the editor and composer of several X-MEN films – X-MEN 2, DAYS OF FUTURE PAST and APOCALYPSE – and of other Bryan Singer movies like THE USUAL SUSPECTS, VALKYRIE and SUPERMAN RETURNS.
May 23, 2014 · It’s hard enough wearing two hats as editor and composer for Bryan Singer, but the trippy, time-traveling “X-Men: Days of Future Past” offered some additional challenges for John Ottman.
