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Mathew Jay Roach (born June 14, 1957) is an American filmmaker. He is best known for directing the Austin Powers film series, Meet the Parents, Dinner for Schmucks, The Campaign, Trumbo, and Bombshell. Roach also earned critical acclaim for directing and producing the political television drama films Recount, Game Change, and All the Way.
Jay Roach was born on 14 June 1957 in Albuquerque, New Mexico, USA. He is a producer and director, known for Trumbo (2015), Bombshell (2019) and Austin Powers: International Man of Mystery (1997). He has been married to Susanna Hoffs since 17 April 1993.
Jay Roach was born on 14 June 1957 in Albuquerque, New Mexico, USA. He is a producer and director, known for Trumbo (2015), Bombshell (2019) and Austin Powers: International Man of Mystery (1997). He has been married to Susanna Hoffs since 17 April 1993.
May 19, 2023 · Jay Roach, the director of “Austin Powers” and “Bombshell,” came on to direct one of his only episodic projects, which also stars Bernadette Peters as Arquette’s character’s deceased...
Dec 17, 2019 · In our Jay Roach interview, the director of Bombshell talks about crafting his potential awards contender and if he'll ever return to comedy.
Birthday: Jun 14, 1957. Birthplace: Albuquerque, New Mexico, USA. A British spy and an accident-prone nurse helped make producer-director Jay Roach one of the most successful comedy filmmakers in...
Apr 1, 2024 · The dark comedy, which is currently in development, will be directed by Jay Roach (“Bombshell,” “Meet the Parents”) and is written by Tony McNamara (“Poor Things,” “The Great”) based on...
Matthew Jay Roach (born June 14, 1957) is an American film director and producer, best known for directing the Austin Powers films and Meet the Parents.
Jan 4, 2020 · For over a decade, director Jay Roach was known primarily for his work in comedic films. From the “Austin Powers” trilogy to the “Meet the Parents” franchise, Roach had carved out a niche...
Dec 10, 2019 · It’s story about a pervasive culture of abuse affecting countless women whose lives were irrevocably changed by the acts of powerful men, centering on women who would, by and large, reject the term “feminist”; a portrait of three women working within an organization actively ridiculing stories like theirs. That tension is a feature, not a bug.
