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  1. Abdul Hameed Mohammed Fahadh Fazil (8 August 1982), professionally known as Fahadh Faasil or FaFaa, is an Indian actor and film producer who primarily works in Malayalam and Tamil films. Noted for his diverse portrayals, Fahadh is among the highest-paid Malayalam actors.

  2. www.imdb.com › name › nm1335704Fahadh Faasil - IMDb

    Fahadh Faasil is a Malayalam actor, producer and singer who has starred in acclaimed films such as Pushpa: The Rise, Vikram and Joji. He is the son of director Fazil and married to actress Nazriya Nazim.

    • January 1, 1
    • 1.73 m
    • Kochi, Kerala, India
  3. Fahadh Faasil filmography. Fahadh Faasil is an Indian actor and film producer who predominantly works in Malayalam films apart from a few Tamil language films. Fahadh in 2018. Fahadh began his film career at the age of 20 by starring in the leading role in his father Fazil 's 2002 romantic film Kaiyethum Doorath, which was a critical and ...

    Year
    Film
    Role (s)
    2024
    TBA
    2024
    Maareesan †
    TBA
    2024
    Bhanwar Singh Shekhawat IPS
    2024
    Ranga
  4. Mar 19, 2024 · Within two decades, Fahadh Faasil has established himself as one of contemporary Indian cinema’s finest artistes. If you wish to go down a rabbit hole of this versatile Malayalam star’s heavily acclaimed filmography, we have got you covered with the definitive guide to his best movies and where you can watch them.

  5. Fahadh Faasil is an Indian actor and producer who has acted in more than 40 films in Malayalam. This list ranks his best movies based on ratings, reviews and awards, including Kumbalangi Nights, Super Deluxe, Vikram and more.

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  7. Fahadh Faasil is a Malayalam actor and producer who has won several awards, including a National Film Award. He has acted in more than 40 films, such as Maheshinte Prathikaaram, Super Deluxe, Vikram and Pushpa.

  8. Jul 15, 2021 · Fahadh Faasil: Crusader of a New Wave in India’s Malayalam cinema. The 38-year-old actor-producer makes a mark by choosing unorthodox, experimental subjects instead of embracing mainstream...

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