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Writing (Screenplay Adapted from Other Material) - Screenplay by Mordecai Richler; Adaptation by Lionel Chetwynd
- Best Picture
- Directing
- Actor
- Actress
- Actor in A Supporting Role
- Actress in A Supporting Role
- Writing
- Music
- Film Editing
- Cinematography
Barry Lyndon – Stanley Kubrick Dog Day Afternoon – Martin Bregman, Martin Elfand Jaws – Richard D. Zanuck, David Brown Nashville – Robert Altman One Flew over the Cuckoo’s Nest– Saul Zaentz, Michael Douglas
Amarcord – Federico Fellini Barry Lyndon – Stanley Kubrick Dog Day Afternoon – Sidney Lumet Nashville – Robert Altman One Flew over the Cuckoo’s Nest– Milos Forman
Walter Matthau – The Sunshine Boys Jack Nicholson – One Flew over the Cuckoo’s Nest Al Pacino – Dog Day Afternoon Maximilian Schell – The Man in the Glass Booth James Whitmore – Give ’em Hell, Harry!
Isabelle Adjani – The Story of Adele H. Ann-Margret – Tommy Louise Fletcher – One Flew over the Cuckoo’s Nest Glenda Jackson – Hedda Carol Kane – Hester Street
George Burns – The Sunshine Boys Brad Dourif – One Flew over the Cuckoo’s Nest Burgess Meredith – The Day of the Locust Chris Sarandon – Dog Day Afternoon Jack Warden – Shampoo
Ronee Blakley – Nashville Lee Grant – Shampoo Sylvia Miles – Farewell, My Lovely Lily Tomlin – Nashville Brenda Vaccaro – Jacqueline Susann’s Once Is Not Enough
Amarcord – Federico Fellini, Tonino Guerra And Now My Love – Claude Lelouch, Pierre Uytterhoeven Dog Day Afternoon – Frank Pierson Lies My Father Told Me – Ted Allan Shampoo– Robert Towne, Warren Beatty
“How Lucky Can You Get” – Funny Lady – Music, Lyrics by Fred Ebb, John Kander “I’m Easy” – Nashville – Music, Lyrics by Keith Carradine “Now That We’re In Love” – Whiffs – Music by George Barrie; Lyrics by Sammy Cahn “Richard’s Window” – The Other Side of the Mountain – Music by Charles Fox; Lyrics by Norman Gimbel “Theme From Mahogany (Do You Know...
Dog Day Afternoon – Dede Allen Jaws – Verna Fields The Man Who Would Be King – Russell Lloyd One Flew over the Cuckoo’s Nest – Richard Chew, Lynzee Klingman, Sheldon Kahn Three Days of the Condor– Fredric Steinkamp, Don Guidice
Barry Lyndon – John Alcott The Day of the Locust – Conrad Hall Funny Lady – James Wong Howe The Hindenburg – Robert Surtees One Flew over the Cuckoo’s Nest– Haskell Wexler, Bill Butler
Best Original Screenplay Best Screenplay Adapted from Other Material; Chinatown – Robert Towne‡ Alice Doesn't Live Here Anymore – Robert Getchell; The Conversation – Francis Ford Coppola; Day for Night – François Truffaut, Suzanne Schiffman and Jean-Louis Richard; Harry and Tonto – Paul Mazursky and Josh Greenfeld
Best PictureBest DirectorThe Godfather Part II – Francis Ford ...Francis Ford Coppola – The Godfather Part ...Art Carney – Harry and Tonto as Harry ...Ellen Burstyn – Alice Doesn't Live Here ...Robert De Niro – The Godfather Part II as ...Ingrid Bergman – Murder on the Orient ...Chinatown – Robert Towne‡ Alice Doesn't ...The Godfather Part II – Francis Ford ...William Peter Blatty won for The Exorcist (1973), an adaptation of his novel of the same name. Bo Goldman co-won for One Flew Over the Cuckoo's Nest (1975). William Goldman won for All the President's Men (1976). Alvin Sargent won the award twice, first for Julia (1977) and then for Ordinary People (1980).
Best Writing (Screenplay Adapted from Other Material) One Flew Over the Cuckoo's Nest Lawrence Hauben and Bo Goldman; Best Writing (Original Screenplay) Dog Day Afternoon Frank Pierson; Special Achievement Award (Sound Effects) The Hindenburg Peter Berkos; Special Achievement Award (Visual Effects) The Hindenburg Albert Whitlock and Glen ...
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Feb 9, 2020 · The Academy Award for Best Adapted Screenplay is given each year to a script “based on material from another medium.” That other medium being adapted is often a novel ( The Lord of the Rings ), a stage production ( Fences ), or another film ( A Star is Born ).
The Godfather Part II also won Academy Awards for Best Supporting Actor (Robert De Niro), Art Direction-Set Decoration (Dean Tavoularis, Angelo Graham, and George R. Nelson), Directing (Francis Ford Coppola), Music – Original Dramatic Score (Nino Rota and Carmine Coppola), and Writing – Screenplay adapted from other material (Francis Ford Coppola and Mario Puzo).
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