Tony Goldwyn
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The Last House on the Left is a 2009 rape and revenge film directed by Dennis Iliadis and written by Adam Alleca and Carl Ellsworth. A remake of the 1972 film of the same name, it stars Tony Goldwyn, Monica Potter, Garret Dillahunt, Aaron Paul, Spencer Treat Clark, Riki Lindhome, Martha MacIsaac, and Sara Paxton.
The Last House on the Left is a 1972 rape and revenge film written and directed by Wes Craven in his directorial debut, and produced by Sean S. Cunningham. The film stars Sandra Peabody , Lucy Grantham, David Hess , Fred J. Lincoln , Jeramie Rain , and Marc Sheffler.
Mar 13, 2009 · After kidnapping and brutally assaulting two young women, a gang unknowingly finds refuge at a vacation home belonging to the parents of one of the victims: a mother and father who devise an increasingly gruesome series of revenge tactics.
After kidnapping and brutally assaulting two young women, a gang unknowingly finds refuge at a vacation home belonging to the parents of one of the victims: a mother and father who devise an increasingly gruesome series of revenge tactics.
Teenagers Mari (Sandra Cassel) and Phyllis (Lucy Grantham) head to the city for a concert, then afterward go looking for drugs. Instead, they find a gang of escaped convicts who subject them to a...
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A couple show kindness to a group of strangers who have just assaulted their daughter. Once they learn the truth, they set out on a plan for revenge. Watch trailers & learn more.
Aug 30, 1972 · The Last House on the Left: Directed by Wes Craven. With Sandra Peabody, Lucy Grantham, David Hess, Fred J. Lincoln. Two teenage girls heading to a rock concert for one's birthday try to score marijuana in the city, where they are kidnapped and brutalized by a gang of psychopathic convicts.
Mar 11, 2009 · The Last House on the Left (2009) Rated R for sadistic brutal violence including a rape and disturbing images, language, nudity and some drug use 110 minutes
Mar 13, 2009 · When athletic teen Mari Collingwood opts to hang out with her friend Paige in town rather than spend an evening in with her parents vacationing at the family's remote lake house, it marks the beginning of a night no one is going to forget.
With his male and female cohorts, the monstrous Krug delivers a gruelling catalogue of assault and depravity on the two girls that stretches the bounds of on-screen horror to its very limits. Only after the girls suffering is ended does the enormity of their actions dawn upon the villainous gang.
