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  1. Manhattan is a 1979 American romantic comedy - drama film directed by Woody Allen and produced by Charles H. Joffe from a screenplay written by Allen and Marshall Brickman.

  2. Apr 25, 1979 · Manhattan: Directed by Woody Allen. With Woody Allen, Diane Keaton, Michael Murphy, Mariel Hemingway. The life of a divorced television writer dating a teenage girl is further complicated when he falls in love with his best friend's mistress.

  3. Mar 18, 2001 · Yale ( Michael Murphy ), has been happily married for years, but is having an affair with Mary ( Diane Keaton ). Both men have the tactic of trying to escape from relationships by telling the woman it's for her own good. Allen has Mary tell Yale they have no future, right after Isaac has told Tracy the same thing.

  4. One of Woody Allen's early classics, Manhattan combines modern, bittersweet humor and timeless romanticism with unerring grace. Director Woody Allen's love letter to New York City stars Allen as...

    • (70)
    • Comedy, Drama
    • R
  5. Manhattan (1979) cast and crew credits, including actors, actresses, directors, writers and more.

  6. Manhattan Woody Allen, Diane Keaton, Meryl Streep and Mariel Hemingway star in Woody Allen's extraordinary and funny film that explores the embattled life and loves of a successful New York comedy writer.

  7. Manhattan explores how the life of a middle-aged television writer dating a teenage girl is further complicated when he falls in love with his best friend's mistress.

  8. Forty-two year old Isaac Davis has a romanticized view of his hometown, New York City, most specifically Manhattan, as channeled through the lead character in the first book he is writing, despite his own Manhattan-based life being more of a tragicomedy.

  9. Manhattan (1979) Official Trailer - Woody Allen, Diane Keaton Movie HD. Rotten Tomatoes Classic Trailers. 1.66M subscribers. Subscribed. 3.7K. 611K views 7 years ago. Manhattan (1979)...

  10. "Manhattan" is one of the few movies that could survive a sound track of its dialogue; a lot of it, by Allen and Marshall Brickman, has the kind of convoluted intellectual cynicism of the early Nichols and May (and a lot of the rest of it consists of great one-liners).

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