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  1. As Good as It Gets

    PG-131997 · Romantic comedy · 2h 18m

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  1. As Good as It Gets is a 1997 American romantic comedy-drama film directed by James L. Brooks from a screenplay he co-wrote with Mark Andrus. It stars Jack Nicholson as a misanthropic , bigoted and obsessive–compulsive novelist, Helen Hunt as a single mother with a chronically ill son, and Greg Kinnear as a gay artist.

  2. Dec 25, 1997 · As Good as It Gets: Directed by James L. Brooks. With Jack Nicholson, Helen Hunt, Greg Kinnear, Cuba Gooding Jr.. A single mother and waitress, a misanthropic author, and a gay artist form an unlikely friendship after the artist is assaulted in a robbery.

    • (321K)
    • Comedy, Drama, Romance
    • James L. Brooks
    • 1997-12-25
  3. As Good As It Gets is a comedy-drama film starring Jack Nicholson as a cranky novelist who learns to care for others through his relationships with a gay artist and a single mother. Watch this Oscar-winning movie on Prime Video and enjoy the witty dialogue, the touching moments, and the brilliant performances.

    • 138 min
  4. A romantic comedy starring Jack Nicholson as a cranky writer and Helen Hunt as a waitress he falls for. See critics' ratings, trailer, cast, and where to watch online.

    • (85)
    • James L. Brooks
    • PG-13
    • Jack Nicholson
  5. A misanthropic writer, a waitress, and a gay artist form an unlikely friendship in New York City. Read the plot details, cast and crew, trivia, and user reviews of this comedy-drama film starring Jack Nicholson and Helen Hunt.

  6. Watch the trailer of the '90s classic comedy starring Jack Nicholson, Helen Hunt, and Greg Kinnear. See how Melvin Udall, a bitter novelist, learns to love and laugh with the help of a dog and a waitress.

    • 2 min
    • 343K
    • Sony Pictures Entertainment
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  8. Dec 22, 1997 · A comedy about a curmudgeonly writer (Jack Nicholson) who learns to love again with the help of a waitress (Helen Hunt) and a gay neighbor (Greg Kinnear). Roger Ebert praises the dialogue, the performances and the observation, but criticizes the conventional formula and the lost opportunities.

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