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Apr 13, 1990 · Crazy People: Directed by Tony Bill, Barry L. Young. With Dudley Moore, Daryl Hannah, Paul Reiser, J.T. Walsh. A bitter ad executive who has reached his breaking point lands in a mental institution, where his career actually begins to thrive with help from his fellow patients.
Crazy People is a 1990 American black comedy film starring Dudley Moore and Daryl Hannah, directed by Tony Bill, and music by Cliff Eidelman.
Dec 8, 2018 · From public defecation as an act of philosophical rebellion to (maybe) eating a baby because of insatiable hunger – these are some of the most freakish, perplexing, and historically weirdest people who’ve ever lived.
Mar 5, 2013 · Either through their questionable on-set antics or their chequered personal lives, and regardless of how much they might play up to their image, here are 10 actors who, without question, are ...
Jan 17, 2013 · Some are dangers to society. And for some reason at least a third of them have chosen to unleash their special brand of weird on David Letterman 's stage. Lose your mind with 25 Actors Who Are ...
Mar 13, 2023 · Dudley Moore (Arthur) and Daryl Hannah (Splash) star in Crazy People, a satirical look at the mad men and women in the ad game.
Apr 5, 2015 · Whether they were weird, crazy or just a little bit bizarre, history's most eccentric people make for some hilariously unbelievable stories.
Apr 11, 1990 · "Crazy People," in fact, has more really big laughs in it than any other unsuccessful comedy I've seen. What's especially fun is when the campaigns are printed by mistake, and we see the reactions of a public exposed for the first time to things they have secretly believed for a long time.
The British comedian Dudley Moore has a substantial success at America with his batty humor, Crazy People came out on a decaying phase, on early 90' his latest breath at Hollywood, the starting point is utterly challenging, mocking with the influencing factor of the liars of the deceiving publicity system, who try out by any means sell a ...
Summaries. A bitter ad executive who has reached his breaking point, finds himself in a mental institution where his career actually begins to thrive with the help of the hospital's patients. Emory works in advertising, and is beginning to crack-up.