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Private investigator Bradford Galt has moved from San Francisco to New York to escape a troubled past. He blames his former partner Tony Jardine for his problems. Complicating matters, he is hounded by New York police lieutenant Frank Reeves and pursued by a thug in a white suit. The thug is forced to admit that he has been hired by Jardine.
The Dark Corner: Directed by Henry Hathaway. With Lucille Ball, Clifton Webb, William Bendix, Mark Stevens. A secretary tries to help her boss who's been framed for murder.
Private investigator Bradford Galt has moved to New York from San Fransisco after serving a jail term on account of his lawyer partner Tony Jardine. When he finds someone is tailing - and possibly trying to kill him, Galt believes Jardine is behind it.
The Dark Corner (1946) cast and crew credits, including actors, actresses, directors, writers and more.
Mar 22, 2021 · The Dark Corner is a 1946 American crime film directed by Henry Hathaway and starring Lucille Ball, Clifton Webb, William Bendix and Mark Stevens.
When Bradford Galt (Mark Stevens), a tough private investigator, realizes that he's being followed, he confronts his assailant, a shifty fellow named Fred Foss (William...
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- Crime, Drama
Secretary Lucille Ball helps her private eye boss when he's framed for murder in The Dark Corner (1946). Based on the serial story "The Dark Corner" by Leo Rosten in Good Housekeeping (Jul--Aug 1945). Every three months, Fox Film Noir turns out another three gems on DVD.
When Bradford Galt (Mark Stevens), a tough private investigator, realizes that he's being followed, he confronts his assailant, a shifty fellow named Fred Foss (William Bendix).
Aug 5, 2017 · The Dark Corner (1946 ) Clifton Webb and Lucille Ball. Silver Screen Classics. 79.5K subscribers. Subscribed. 3.2K. 253K views 6 years ago. Directed by Starring Clifton Webb, Lucille Ball and...
The film is violent — death by fire poker, death by defenestration, brawling in the dark — and the plot is complicated, but the “smoking and stripes” palette created by Hathaway and cinematographer Joe MacDonald is consistently stunning.