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May 9, 2024 · Jean-Baptiste Carpeaux was the leading French sculptor of his time. His works, containing a lively realism, rhythm, and variety that were in opposition to contemporary French academic sculpture, form a prelude to the art of Auguste Rodin, who revered him.
A later shift in taste toward a freer and more naturalistic style is exemplified by the work of Second Empire sculptor Jean-Baptiste Carpeaux. Breaking with traditional approaches to historical subjects and portraiture, Carpeaux infused his sculpture with a previously unseen freedom and immediacy.
Jean-Baptiste Carpeaux (11 May 1827 – 12 October 1875) was a French sculptor and painter during the Second Empire under Napoleon III. Born in Valenciennes, Nord, son of a mason, his early studies were under François Rude.
In the early 1870s, scarcities of materials caused by the Franco-Prussian War meant that Carpeaux could no longer afford to create large-scale sculptures. Instead, he worked on small editions of his popular works that could be sold easily to collectors.
Biography. The son and grandson of stonemasons, Jean-Baptiste Carpeaux was born in 1827 in Valenciennes and moved to Paris at the age of eleven.
Sep 28, 2014 · The project for a monument to the painter Jean-Antoine Watteau (1684-1721), a native of Valenciennes, occupied Carpeaux for much of career. During his sojourn in Rome, the sculptor pondered on how to express his gratitude to the home town which had awarded him a bursary.
The most successful sculptor of his epoch in france, Jean-Baptiste Carpeaux assiduously cultivated the imperial family for the honor of portraying its members.
Jean-Baptiste Carpeaux French. 1864. On view at The Met Fifth Avenue in Gallery 552. Carpeaux here demonstrates an enduring admiration for the plangent heroism of Michelangelo, evinced earlier in the famous Ugolino and his Sons, conceived during his study years in Rome, of which the Metropolitan owns the marble finished in 1867.
The French sculptor and painter Jean Baptiste Carpeaux (1827-1875) stood apart from the neoclassic formulas of his time in the vehement expressiveness of his figures. The nude was a major motif of his large-scale allegorical works.
CARPEAUX, JEAN BAPTISTE (1827—1875), French sculptor, was born at Valenciennes, France, on the 11th of May 1827. He was the son of a mason, and passed his early life in extreme poverty.
