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Arthur Clive Heward Bell (16 September 1881 – 17 September 1964) was an English art critic, associated with formalism and the Bloomsbury Group. He developed the art theory known as significant form .
Part 2 returns to the early part of the twentieth century for a more in-depth exploration of one influential characterisation and defense of Artistic Formalism developed by art-critic Clive Bell in his book Art (1913).
Jan 31, 2022 · The British philosopher and art critic Clive Bell (1881-1964) was a prominent proponent of the formalist approach to aesthetics. In this specific sense, he advocated and significantly developed an aesthetic ethos stemming back to the work of Kant.
Bell’s most important contribution to art criticism was the theory of “ significant form,” as described in his books Art (1914) and Since Cézanne (1922). He asserted that purely formal qualities—i.e., the relationships and combinations of lines and colours—are the most important elements in works of art.
- The Editors of Encyclopaedia Britannica
The English art critic Clive Bell articulated a formalist theory of art in his 1914 book Art. He claimed that the purpose of art is to evoke a particular kind of feeling that he called “aesthetic emotion.”
Clive Bell's Aesthetic. Tradition and Significant Form I. Introduction CLIVE BELL has often been dismissed by aes-theticians and art critics who demand rigor-ous logic in their disciplines. They point persuasively to his circular reasoning, in-consistencies, and even overt contradictions. No one, though, has denied his sensibility,
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In his Art,2 Bell outlines a formalist theory based on his definition of art as “significant form.” True art, he believes, exhibits combinations of lines and colors which engender intellectual recognition and æsthetic experience in persons of taste.
