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  2. Learn about Bertolt Brecht, his ideas and devices for making the audience think, and how to use them for devised work. Find out about the 'v' effect, alienation, narration, songs, signs, tableaux and more.

  3. Learn about Brecht's epic theatre, a type of political theatre that addresses contemporary issues and distances the audience from the play. Discover some of the techniques he used, such as breaking the fourth wall, montage, narration, placards and freeze frames.

  4. Learn about the alienation effect, a theatrical device invented by Bertolt Brecht to create distance and critical awareness in the audience. Find out how Brecht used captions, songs, and stage designs to achieve this effect and what it meant for his political vision.

    • The Editors of Encyclopaedia Britannica
    • Verfremdungseffekt (Alienation Effect) The Verfremdungseffekt, also known as the Alienation Effect, is a theatrical technique developed by the renowned German playwright and director, Bertolt Brecht.
    • Gestus (Gestural Language) Understanding Brecht’s Theory of Gestus. In Brechtian acting, Gestus refers to the physical gestures and expressions that actors use to convey social and political messages.
    • Epic Theatre and Epic Acting. Examining the Characteristics of Epic Theatre. Epic Theatre, a groundbreaking form of theatre developed by the German playwright and theorist Bertolt Brecht, aimed to engage audiences intellectually and politically.
    • Breaking the Fourth Wall. The Significance of Breaking the Fourth Wall in Brechtian Theatre. In Brechtian theatre, breaking the fourth wall is a technique that involves actors acknowledging the audience and directly addressing them.
  5. Epic theatre is a form of didactic drama that uses alienation effects to distance the audience from the action and promote critical thinking. Learn about the origins, elements, and examples of epic theatre, especially as developed by Bertolt Brecht and influenced by Chinese theatre.

    • The Editors of Encyclopaedia Britannica
  6. Learn how Brecht's method of constructing the Fabel, Arrangement, Gestus and Haltungen can produce lively, realistic theatre that reveals social contradictions. The web page explains the steps of the method and its flexibility in practice.

  7. Introduction: Dialectics. The most damaging yet most common error in discussions of Brecht's theory has been to see it as fixed and unchanging, and to view it therefore as either dogmatic, communist-inspired abstraction or revered holy writ. Behind these views lie different perceptions of Marxism and the rights and wrongs of political art.

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