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Sep 9, 2008 · In this new edition of Shadows in the Field, renowned ethnomusicologists explore the roles they themselves act out while performing fieldwork and pose significant questions for the field: What are the new directions in ethnomusicological fieldwork? Where does fieldwork of “the past” fit into these theories?
5 days ago · These teaching and training guidelines provide practical advice and insights into the process of conducting a local-level field documentation project. These guides cover essential topics such as: project planning; research ethics from the perspectives of the fields of folklore, anthropology, ethnomusicology and museum studies; and intellectual ...
- Maureen Russell
- 2016
Jun 30, 2021 · The five articles in this issue 1 are all grounded in contemporary ethnographic fieldwork, and all emphasise the value of research on music, both for scholarly understandings of particular social worlds and as representations of cultural identity for communities of music-makers.
- Georgia Curran, Mahesh Radhakrishnan
- 2021
Dec 14, 2022 · The “new fieldwork” moves beyond mere data collection and has become a defining characteristic of ethnomusicology that engages the scholar in meaningful human contexts.
One of the most important activities in which ethnomusicologists engage is the practice of fieldwork. Fieldwork can mean traveling abroad to a place where the locals look quite different from yourself, or it might mean locating musicians to work with in your own city or country.
is: How does ethnographic writing, and field experience itself, need to change and develop in order to facilitate the kind of writing we need to evoke experience fully? How might we integrate ethnopoetics, ethnoesthetics, and reflexive, narrative
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“Re-experiencing Home through Ethnomusicology: How Fieldwork Challenges the Autobiographical Memory of a Place” Luca Gambirasio “‘
