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The Lacemaker is a painting by the Dutch artist Johannes Vermeer (1632–1675), completed around 1669–1670 and held in the Louvre, Paris. The work shows a young woman wearing a yellow bodice, holding up a pair of bobbins in her left hand as she carefully places a pin in the pillow on which she is making her bobbin lace.
The Lacemaker, 1669 by Johannes Vermeer. In this, one of Vermeer's most beloved paintings, a young bends over her work, tautly holding the bobbins and pins essential for her craft. Sitting very close to the foreground, behind a lacemaking table and a large blue sewing cushion, Vermeer's devotes every ounce of her attention to this one activity ...
Jul 18, 2011 · The Lacemaker is a painting by the Dutch artist Johannes Vermeer (1632–1675), completed around 1669–1670 and held in the Louvre, Paris. The work shows a young woman dressed in a yellow shawl, holding up a pair of bobbins in her left hand as she carefully places a pin in the pillow on which she is making her bobbin lace.
- It Was Painted in Vermeer’s Late 30’s
- It’S The Smallest Painting in His Oeuvre
- The Lacemaker Is Set Against A Light Background
- The Bible Can Be Seen in The Foreground
- The Lace Takes on A Liquid Form to Emphasize The Focus of The Woman
- Did The Painter Use A Camera Obscura to Create The Work?
- He Used The Same Canvas in Another Painting as Well
- The Woman Is Not Vermeer’s Wife
- It Has Often Been Compared to Another Lacemaker Painting
- The Lacemaker Is on Display at The Louvre in Paris
Johannes Vermeer was born in the year 1632, right in the middle of the Dutch Golden Age, a period in which the Dutch Republicwas considered to be the most advanced nation on the planet in multiple aspects of life, including art. Even though Vermeer only acquired minor success throughout his lifetime (he was in debt when he passed away in 1675), he ...
One of the most remarkable facts about The Lacemaker by Johannes Vermeer is that it’s the smallest painting in his entire oeuvre. Granted, he was a slow painter meaning he only created a few works every year, but all his other works were relatively bigger than this delicate piece of art. This oil on canvas painting has dimensions of 24.5 × 21 centi...
Vermeer purposely didn’t include additional elements in the painting except for some things in the foreground and painted the girl working on her laces against a light background. The reason he did so was to eliminate distractions as much as possible and to emphasize the work conducted by the girl. In that sense, it’s also one of his most abstract ...
Vermeer’s oeuvre mostly consists of domestic scenes, many times of women performing domestic duties. It appears that through his work, he wanted to glorify the feminine domestic duties. That’s why he sneaked in the Bible in the foreground of the painting. This provides a religious overtone and stresses the righteous morality of the depicted girl.
One of the most interesting facts about The Lacemaker by Johannes Vermeer is that some elements in the foreground, which were most probably meant to create a barrier between the girl and the viewer, appear to be somewhat blurry. The laces that roll down the sewing cushion almost appear to take on a liquid form, something that is in sheer contrast w...
Johannes Vermeer was known for using devices to help him with painting, including the so-called “camera obscura.” This device was used to project the image of a room through a small hole in the wall. It has even been suggested that he used a similar device to create his “View of Delft,” one of the few paintings he created out of his house. While it...
Vermeer wasn’t a rich man, and to emphasize this, a study has uncovered that the canvas used to paint The Lacemaker has the same originas that of another one of his paintings. The painting in question is “A Young Woman Seated at the Virginals,” which appeared to have had the same dimensionsas The Lacemaker originally as well.
So who is the girldepicted as the lacemaker? It has been suggested that it was Vermeer’s wife who he painted as she was doing her thing working the laces, but this conclusion has been debunked. While the real identity of the girl remains a mystery, one which will most probably never be uncovered, the most common explanation is that she is a member ...
Vermeer’s painting has been compared to similar work, that of Caspar Netscher, which was completed in the year 1662, which was just a few years before Vermeer’s work. The tone of the paintings is completely different though. Vermeer’s work depicts a girl completely absorbed in her work, fully focusing on the taskat hand. The Lacemaker by Caspar Net...
So where can we admire The Lacemaker? It’s on display in one of the most famous museums in the world, the Louvre in Paris. It has been in the possession of the Louvre since the year 1870 and can be found in the Richelieu Wing in room 837of this massive museum!
The Lacemaker (1669) by Johannes Vermeer Original Source: Agence photographique de la Réunion des musées nationaux-Grand Palais. A young woman works at her lacemaking table in deepest...
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A late work by Johannes Vermeer, this small oil on canvas depicts a fashionable subject in Delft in around 1660–70, that of the lacemaker, a comfortably off young woman busy with an everyday task in an interior.