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- Musicology takes into consideration Western art music; more precisely, it deals primarily with the study of the European music of the past, while ethnomusicology is more interested in non-Western musical cultures, their instruments, beliefs, notation systems and those codes of behavior connected to the act of making music.
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Apr 25, 2021 · Difference between musicology and ethnomusicology: the object of study. Musicology takes into consideration Western art music; more precisely, it deals primarily with the study of the European music of the past, while ethnomusicology is more interested in non-Western musical cultures, their instruments, beliefs, notation systems and those codes ...
Ethnomusicology (from Greek ἔθνος ethnos ‘nation’ and μουσική mousike ‘music’) is the multidisciplinary study of music in its cultural context, investigating social, cognitive, biological, comparative, and other dimensions involved other than sound.
Ethnomusicology, field of scholarship that encompasses the study of all world musics from various perspectives. It is defined either as the comparative study of musical systems and cultures or as the anthropological study of music. Although the field had antecedents in the 18th and early 19th.
The Musicology & Ethnomusicology Program at Boston University offers graduate degrees in Musicology, Ethnomusicology, and Musicology and Ethnomusicology as well as an undergraduate Bachelor of Art.
The musicology and ethnomusicology program reflects the diverse interests and methodological approaches of the faculty, including historical criticism and analysis, archival research, editing, source studies, performance issues, and gender studies.
Ethnomusicology is the study of music in its social and cultural contexts. Ethnomusicologists examine music as a social process in order to understand what music is and what it means to its practitioners and audiences. Ethnomusicology is highly interdisciplinary.
Feb 20, 2012 · The extent to which musicology has changed over the last 15 years is made clear by the fact that Stock's (1997a) characterisation of the differences between musicology and ethnomusicology now seems surprisingly (and pleasingly) dated if one looks at current work in the field.
