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  1. Originally, 2001 was set to end in the same way the novel does. Instead of the Star Child descending on Earth, the finale would have featured Bowman finding the third monolith on the surface of Saturn's moon Japetus.

  2. Jul 1, 2022 · In terms of the content, making and technical brilliance, ‘2001: A Space Odyssey’ is undoubtedly way ahead of its time or even our time. Owing to the otherworldly quality in direction, nonverbal narrative style (minimal dialogues), stunning cinematography & visual effects and haunting music it is regarded as one of the greatest movies of ...

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  4. 2001‘s special effects team was supervised by Kubrick himself, and included Con Pederson, Wally Veevers, and Douglas Trumbull, who went on to create effects for other science fiction movies such as Close Encounters of the Third Kind and Blade Runner. Work on the film’s 200+ effects scenes had begun even while Kubrick and Clarke were working ...

  5. Feb 14, 2018 · February 14, 2018. HYATT JUPITER Stanley Kubrick, behind the camera, directs Keir Dullea, as astronaut Dave Bowman, in the final sequence of 2001: A Space Odyssey. From Collection...

  6. Apr 13, 2017 · One afternoon in 1974 a truck turned up after the dump was closed & left some crates in the entrance way. They contained 2 of the models used in 2001, the space wheel & one of the pods. Of course they may not have been the only ones but I believe they were genuine (the film had been made about 20 miles away at Boreham Wood the old MGM studios).

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  7. Before the film's production began, director Stanley Kubrick sought technical advice from over fifty organizations, and a number of them submitted their ideas to Kubrick of what kind of products might be seen in a movie set in the year 2001.

  8. Stanley Kubricks masterpiece, 2001: A Space Odyssey, has left more than one smart cinephile stupefied. We’ll discuss the theories of what’s going on (or not) in this landmark science fiction film. If you’re like many fans of science fiction or classic cult films in general, you want to like Stanley Kubrick’s 1968 epic masterpiece.

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