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    • A History of Plaster in the Decorative Arts | Interior Design ...
      • Named for the huge gypsum deposits of Montmartre, plaster of Paris’ appearance as a sculptural medium dates to Mesopotamia, when classical statues were draped in fringed gypsum skirts and dresses. From the Tigris and Euphrates the material made its way into Western European history through architectural details, columns, pilasters, and mouldings.
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  2. Feb 18, 2024 · Plaster of Paris, also known as gypsum plaster, has a rich history and a wide range of applications. It has been used for centuries as a casting material for sculpting and creating orthopedic casts. Its use in art and craft projects is also well-known.

  3. In medieval and Renaissance times, gesso (usually made of plaster of paris mixed with glue) was applied to wood panels, plaster, stone, or canvas to provide the ground for tempera and oil painting. Plaster of paris is prepared by heating calcium sulfate dihydrate, or gypsum, to 120–180 °C (248–356 °F).

    • The Editors of Encyclopaedia Britannica
  4. Mar 2, 2017 · Named for the huge gypsum deposits of Montmartre, plaster of Paris’ appearance as a sculptural medium dates to Mesopotamia, when classical statues were draped in fringed gypsum skirts and dresses. From the Tigris and Euphrates the material made its way into Western European history through architectural details, columns, pilasters, and mouldings.

  5. Oct 5, 2023 · Max Ernst spent the summer of 1934 with the sculptor Alberto Giacometti in the Swiss village of Maloja. There, he carved and painted a group of oval river stones. On his return to Paris, Ernst continued to pursue his interest in sculpture, turning to plaster as his material of choice.

  6. Mar 11, 2023 · Plaster of Paris is not only a material that can be used for making sculptures, but it is also one of the best materials to use for interior design. The POP Design is ideal for creating beautiful walls, ceilings and furniture in your home.

  7. In the 14th century, Giotto, the notable Italian painter, used a finishing gesso of parchment glue and slaked plaster of paris. In medieval tempera painting, background areas intended for gilding were built up into low relief with gesso duro (hard gesso), a less absorbent composition also used for frame moldings, with patterns often pressed ...

    • The Editors of Encyclopaedia Britannica
  8. In historical contexts, such as mediaeval and Renaissance periods, gesso — typically composed of plaster of Paris mixed with glue — was applied to surfaces like wood panels, plaster, stone, or canvas to serve as a base for tempera and oil paintings.

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