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  1. Aug 25, 2021 · In my view therefore, the key areas of work from an ethnomusicological perspective for performance practice as research might therefore include: Practice research for translational ethnomusicology: Analytically informed practice as research where practice research informs the analysis of musical meaning and structure (see Cook Citation 2018).

    • Simon McKerrell
    • 2021
  2. Aug 25, 2021 · This paper argues for ethnomusicologists to begin using performance not just as a tool to understand the social and cultural field, but to use music and dance as methods in ‘translational’...

    • Simon Mckerrell
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  4. Apr 29, 2022 · We have identified the benefits of applying ethnomusicologys reflexive and relativist methodologies to formal research assessment processes and, through our diverse ethnomusicological research case studies, examined what can be lost to global knowledge when music and culture experts from outside the academy are excluded from participating ...

  5. Ethnomusicology research consists of four main activities: interviews; participant-observation of musical events and community life; music and dance lessons; and audio and video recordings. Keywords: Deep Forest, ethnomusicology, Jewish music, Alan Lomax, Charles Seeger, Turkish Music.

  6. Jun 30, 2021 · Ethnographic Research on Music for the Global Context. Ethnographic researchers of music often and necessarily come from a wide variety of interdisciplinary backgrounds, which, from differing angles, examine the ways in which musical practices create and define many aspects of people’s social worlds.

    • Georgia Curran, Mahesh Radhakrishnan
    • 2021
  7. 3 days ago · These guides cover essential topics such as: project planning; research ethics from the perspectives of the fields of folklore, anthropology, ethnomusicology and museum studies; and intellectual property policies, law and use with special reference to the work of the World Intellectual Property Organization (WIPO) in Geneva, Switzerland.

  8. This chapter will explore the changing trajectory of analytical ethnomusicology over the course of the last 130 years, examining its practitioners and detractors, its insights and mistakes, and its mosaic of methods.