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  1. Apr 29, 2022 · It is in such cases where ethnomusicology might help. We suggest that our understanding as ethnomusicologists of what constitutes originality, and according to whom, is very much at the reflexive core of assessment practices and must be within an assessment panel’s remit of discussion and assessment. Since peer review is fundamental to ...

  2. Aug 25, 2021 · This article sets out to examine the trajectory and scholarly potential of practice research in ethnomusicology and to examine the utility of performance in ethnomusicological research. Ethnomusicologists have always been people who play music or dance in their fieldwork, with different emphases on its function, agency and reception, depending ...

    • Simon McKerrell
    • 2021
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  4. They will participate in and observe and record musical activity there. This style of studying music comes from their belief that societies and their associated musical practices are embedded within one another. Ethnomusicology research consists of four main activities: interviews; participant-observation of musical events and community life ...

  5. Ethnomusicology is an international, peer-reviewed journal published three times a year by the University of Illinois Press on behalf of the Society for Ethnomusicology. It features scholarly articles representing theoretical perspectives and research in ethnomusicology and related fields, as well as book, sound recording, film, video, and ...

  6. Jun 30, 2021 · Musical performances are at the heart of many significant cultural events and often represent and affirm distinct cultural identities. Ethnographic research on music thus provides an important lens through which to understand distinct cultural worlds. In this introductory article we consider the value of research on music—for the communities ...

    • Georgia Curran, Mahesh Radhakrishnan
    • 2021
  7. Peripheral within ethnomusicology until the late 1970s, when ethnomusicology took a humanistic turn, and ethical considerations such as “giving back” and partnerships with musical communities became normal ethnomusicological practice, applied ethnomusicology moved from a marginal activity to its current place as a significant sub-discipline.

  8. In the absence of any formative manual, one might turn again to the scholarly societies for guidance in understanding what applied ethnomusicologists do. 4 For the ICTM study group, applied ethnomusicology is “the approach guided by principles of social responsibility, which extends the usual academic goal of broadening and deepening ...