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Thomas Hart Benton was one of America's most popular and heavily patronized modern artists during the decades leading up to World War II, and his murals were especially acclaimed. Along with Grant Wood and John Steuart Curry , Benton gained artistic fame as a Regionalist painter, depicting the people and culture of the American Midwest, in ...
- American
- April 15, 1889
- Neosho, Missouri
- January 19, 1975
He was also fond of biblical and classical subjects, which he reimagined in a contemporary midwestern setting. Well-known examples include the allegorical nude Persephone (1939) and the mural Achelous and Hercules (1947). After World War II, Regionalism fell out of fashion and Abstract Expressionism became the dominant trend in American art ...
- American
- April 15, 1889
- Neosho, Missouri, United States
- January 19, 1975
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Named after his great-uncle, a five-term senator, Thomas Hart Benton was born on April 15, 1889, in Neosho, Missouri. His father, Maecenus Eason Benton, was a lawyer and a United States representative from 1896 to 1904, so the young Benton spent his early years in both Washington, DC, and southwest Missouri. Benton dropped out of high school at ...
During World War II, Benton created a series titled The Year of Peril, which portrayed the threat to American ideals by fascism and Nazism. The prints were widely distributed. Following the war, Regionalism fell from favor, eclipsed by the rise of Abstract Expressionism.
Jun 9, 2016 · “The most famous American antifascist propaganda produced during the Second World War,” (1) Benton’s works stand apart from other war-related propaganda images of the time, which avoid scenes of bloody, gruesome military combat. His images depict the horrors of war, specifically horrors inflicted by the highly caricatured Axis powers.
Mar 19, 2019 · Post-Reconstruction through the Gilded Age, 1875 through 1900 Early Twentieth Century, 1901 through 1940 World War II through the Faubus Era, 1941 through 1967 Divergent Prosperity and the Arc of Reform, 1968–2022
Dec 8, 2003 · An unabashed nativist when it came to American art, Benton was an internationalist in his politics, worried about the Nazi threat. In the wake of Pearl Harbor, Benton decided to create gigantic...
