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    • Book on Native American music

      • The first ethnomusicological study was a book on Native American music published in 1882 by Theodore Baker. His research methods included interviewing Indian musicians, observing performances of indigenous music and dance, and transcribing the melodies in European staff notation.
      www.britannica.com › art › Native-American-music
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  2. Rhodes characterizes the first type of study as the earliest study, which was much more preoccupied with “musicological problems” than “ethnological”. Rhodes describes the second type as “ethnographic,” and as being primarily concerned with the “analysis and description of the music of an ethnic group in its cultural setting”. [26]

  3. Hood started one of the first American university programs dedicated to ethnomusicology, often stressing that his students must learn how to play the music they studied.

  4. The first ethnomusicological study was a book on Native American music published in 1882 by Theodore Baker. His research methods included interviewing Indian musicians, observing performances of indigenous music and dance, and transcribing the melodies in European staff notation.

  5. Carl Stumpf, an early comparative musicologist, published one of the first musical ethnographies on an indigenous group in British Columbia in 1886. Comparative musicologists were primarily concerned with documenting the origins and evolution of musical practices.

  6. It was known as comparative musicology until about 1950, when the term ethnomusicology was introduced simultaneously by the Dutch scholar of Indonesian music Jaap Kunst and by several American scholars, including Richard Waterman and Alan Merriam.

  7. May 23, 2018 · Bruno Nettl nicely skims over the befuddlement of defining ethnomusicology in The Study of Ethnomusicology (2005). By about 1950, ethnomusicologists studied what was then called “ primitive, ” “ folk, ” or “ ancient ” music. The first term was used to describe “ unschooled ” music

  8. The American Society for Comparative Musicology was formed to serve American scholars in the field of world music and to provide a continuing base for foreign scholars who were fleeing from Nazi Germany to seek refuge in the United States.

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