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  1. Blue-eyed soul (also known as white soul) is soul music or rhythm and blues performed by white artists. [ 1 ] This is a dynamic list and may never be able to satisfy particular standards for completeness.

  2. Aug 1, 2024 · These blue-eyed soul singers are some of the most recognizable music artists and with good reason. Their songs are catchy and incorporate different genres that relate to people across different cultures.

  3. May 31, 2015 · For this week’s article – as promised – I focus on the fellas and give you the 30 male acts that I believe are the best blue-eyed soul singers of the past six decades – 1955 -2015.

  4. Blue-eyed soul (also called white soul [1]) is rhythm and blues (R&B) and soul music performed by white artists. [2] The term was coined in the mid-1960s, to describe white artists whose sound was similar to that of the predominantly black Motown and Stax record labels.

  5. Oct 11, 2023 · Our feature on a dozen great male blue eyed soul singers including Van Morrison, Daryl Hall, and Steve Winwood

  6. Blue-Eyed Soul refers to soul and R&B music performed and sung by white musicians. The term first came into play during the mid-'60s, when acts like the Righteous Brothers had hits with soulful songs like "You Lost That Loving Feeling."

  7. blue-eyed soul, music created by white recording artists who faithfully imitated the soul music of the 1960s and later, a select few of whom were popular with Black audiences as well as white listeners.

  8. Blue-eyed soul is rhythm and blues and soul music performed by white artists. The term was coined in the mid-1960s, to describe white artists who performed s...

  9. Blue-Eyed Soul refers to soul and R&B music performed and sung by white musicians. The term first came into play during the mid-'60s, when acts like the Righteous Brothers had hits with soulful songs like "You Lost That Loving Feeling."

  10. A cheeky nickname for the genre that finds white artists performing rhythm and blues or soul music, the term blue-eyed soul was coined in the ‘60s. The genre described a new crop of artists covering tunes by performers at Motown and Stax.

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