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Philip II
- Titian (Tiziano Vecellio) Pieve di Cadore, Belluno, Veneto (Italy), 1490 - Venice (Italy), 1576 Philip II 1551. Oil on canvas. Philip II was Titian’s most important patron, and the pair’s artistic relationship was one of the most fecund of the Renaissance.
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Apr 23, 2024 · Titian, the greatest Italian Renaissance painter of the Venetian school. He was recognized early in his own lifetime as a supremely talented painter, and his reputation has in the intervening centuries never suffered a decline. A few of his best-known works include Venus of Urbino and Assumption.
Tiziano Vecelli or Vecellio ( pronounced [titˈtsjaːno veˈtʃɛlljo]; c. 1488/90 [1] – 27 August 1576), [2] Latinized as Titianus, hence known in English as Titian ( / ˈtɪʃən / TISH-ən ), was an Italian [a] ( Venetian) Renaissance painter of Lombard origin, [4] considered the most important member of the 16th-century Venetian school.
Tiziano Vecellio (ca. 1485/90?–1576), known as Titian, was the greatest Venetian artist of the sixteenth century, eventually gaining international fame. Titian is known above all for his remarkable use of color; his painterly approach was highly influential well into the seventeenth century.
Isabella d’Este was among the most celebrated women of her time. She was a fashion trend setter, a potent political force, and an avid art collector. The daughter of Duke Ercole I d’Este of Ferrara, she was raised at one of the most cultured Italian courts of the fifteenth century.
Titian managed to cultivate a broad range of royal patrons during his career, including King Philip II of Spain and Holy Roman Emperor Charles V. Titian's Venetian home was a mecca for many of the community's artistic types. He had an especially close friendship with writer Pietro Aretino.
Philip II was Titian’s most important patron, and the pair’s artistic relationship was one of the most fecund of the Renaissance. They met twice while Philip was still a prince, in Milan (December 1548-January 1549) and Augsburg ( November 1550-1551), and Titian painted the prince’s portrait on both occasions.
Titian was the greatest painter of 16th-century Venice, and the first painter to have a mainly international clientele. During his long career, he experimented with many different styles of painting which embody the development of art during his epoch.
