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The Last Judgment ( Italian: Il Giudizio Universale) [1] is a fresco by the Italian Renaissance painter Michelangelo covering the whole altar wall of the Sistine Chapel in Vatican City. It is a depiction of the Second Coming of Christ and the final and eternal judgment by God of all humanity.
Dec 6, 2023 · They would see in the youthful face of Christ his reference to the Apollo Belvedere, an ancient Greek Hellenistic sculpture in the papal collection lauded for its ideal beauty. Thus, Michelangelo glosses the identity of Christ as the “Sun of Righteousness” (Malachi 4:2).
Dec 7, 2022 · Learn more about the intriguing story behind Michelangelo's "Last Judgment" fresco in the Sistine Chapel and why it was deemed controversial. Upon completion, this powerful artwork made an instant impact—and stirred controversy, too.
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The Deposition (also called the Bandini Pietà or The Lamentation over the Dead Christ) is a marble sculpture by the Italian High Renaissance master Michelangelo. The sculpture, on which Michelangelo worked between 1547 and 1555, depicts four figures: the dead body of Jesus Christ, newly taken down from the Cross, Nicodemus [1] (or possibly ...
Oct 12, 2021 · The Last Judgment (1536 to 1541) painting is a fresco by Michelangelo, who was a Renaissance painter. It covers the whole altar wall of the Sistine Chapel in Italy. It depicts over 300 figures surrounding the central figure of Christ. The fresco is a depiction of Christ’s Second Coming and the Last Judgment of humanity.
- Alicia du Plessis
- ( Author And Art History Expert )
May 23, 2024 · The Last Judgment, fresco by Michelangelo completed 1536–41. Michelangelo's The Last Judgment, explained. Pope Clement VII commissioned Michelangelo to paint a fresco in the Sistine Chapel in 1534. See all videos for this article. The Last Judgment is generally regarded as one of Michelangelo’s greatest masterpieces.
Pope Paul III was well aware of this when he charged Michelangelo with repainting the chapel’s altar wall with the Last Judgment. With its focus on the resurrection of the body, this was the perfect subject for Michelangelo. Historical & pictorial contexts.