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  1. Aug 6, 2021 · Zimmer and his Remote Control group have been working with Dreamworks Animation from their first film. Mazzaro has been with Remote Control for nearly a decade. This is his third time sharing composer credit with Zimmer after the first Boss Baby and the 2020 SpongeBob Movie: Sponge on the Run.

  2. Zimmer probably had little to actually do with the score. Steve Mazzaro likely did much of the score and Zimmer's name used for marketing purposes, which often happens with scores where he's brought on late. Other than a few big projects a lot of the writing is done by underlings these days for Zimmer.

    • 3 min
  3. Aug 12, 2020 · Hans Zimmer & Steve Mazzaro are returning as the composers of DreamWorks Animation’s upcoming sequel The Boss Baby 2. The film is directed by Tom McCrath ( Madagascar , Megamind ) who helmed the first part and stars Alec Baldwin who will reprise his role as the title character.

  4. Jul 1, 2021 · The Boss Baby: Family Business is in theatres and available to stream on Peacock now! Get the soundtrack and more info here: https://backlotmusic.ffm.to/theb...

    • Jul 1, 2021
    • 5.8K
    • Back Lot Music
  5. To be fair, Zimmer still does score for full orchestras here and there (e.g. No Time to Die). And, if the score needs more authenticity than his standard fair, he'll at least hire a group of principle players. Another aspect in Zimmer's defense is that times have changed and so too have the production needs, time, and budgets of television and ...

  6. Mar 15, 2024 · Hans Zimmer, riding the wave of acclaim for his recent work on “Dune Part 2,” has now lent his musical genius to the soundtrack of “Kung Fu Panda 4.” Zimmer’s collaboration with Steve Mazzaro, a composer known for his contributions to films like “The Boss Baby” and “The SpongeBob Movie: Sponge on the Run,” brings a fresh yet profoundly resonant auditory experience to this ...

  7. Zimmer and Mazzaro are becoming frequent collaborators in the animation realm, and the results, as with the just preceding The SpongeBob Movie: Sponge on the Run are typically adequate but not outstanding. The score for The Boss Baby was dominated by a main theme that was translated into a tremendously lush romantic expression by Conrad Pope.