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Didn’t need a camera
- But in the 1930s, McLaren cut through all that – he drew directly onto the film stock, frame by frame. He didn’t need a camera and he could see how his film was going while he was making it.
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His early experiments with film and animation included actually scratching and painting the film stock itself, as he did not have ready access to a camera. One of his earliest extant films, Seven Till Five (1935), a "day in the life of an art school" was influenced by Eisenstein and displays a strongly formalist attitude.
Jun 23, 2014 · He didn’t need a camera and he could see how his film was going while he was making it. Blinkity Blank, Norman McLaren, 1955. National Film Board of Canada. The film frame is tiny, a mere...
Jun 25, 2018 · McLaren’s early exploits in the world of film were actually done without access to a camera – as a result, many of his famed experiments included actually scratching and painting onto reams of film stock to create his desired effect.
May 29, 2018 · McLaren saved himself the expense of buying a camera and new film by purchasing a worn–out 35mm commercial film, soaking off the emulsion of the images in his bathtub, and painting new color images directly onto the celluloid to create animation.
Feb 8, 1987 · Therefore, animation is the art of manipulating the invisible interstices between frames. --Norman McLaren. Although his name was not familiar to the general public, Norman McLaren, who...
Norman McLaren (1914-1987) Following the establishment of its National Film Board in 1939, Canada has become a major contributor to the field of animation. One of Canada’s most influential animators was Norman McLaren. He was an exceptional artist who explored a variety of film techniques and was fascinated by the relationship of music to ...
Apr 15, 2005 · As with many of McLaren’s films, this camera-less piece was produced by directly inking and scraping the film strip. In researching the daily life of actual hens, McLaren apparently experienced a form of “becoming-animal” (Deleuze) often testified to in strikingly similar terms by commercial character animators: “When doing Hen Hop for ...
