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- Unlike some of his other works (like Saddles, Spaceballs, or the later, and far less successful, Dracula: Dead and Loving It), the Brooks of Young Frankenstein isn’t really skewering the conventions of the horror movie — he’s paying tribute to them, and using them as scaffolding for his particular brand of goofy, Borscht Belt burlesque.
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Brooks’s targets are James Whale’s “Frankenstein” (1931) and “Bride of Frankenstein” (1935), the first the most influential and the second probably the best of the 1930s Hollywood horror movies. Brooks uses carefully controlled black-and-white photography that catches the feel of the earlier films.
Sep 9, 2014 · Unlike some of his other works (like Saddles, Spaceballs, or the later, and far less successful, Dracula: Dead and Loving It ), the Brooks of Young Frankenstein isn’t really skewering...
Rated: 4/5 Nov 27, 2019 Full Review Jason Bailey Flavorwire The Brooks of 'Young Frankenstein' isn't really skewering the conventions of the horror movie - he's paying...
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- Mel Brooks
- PG
- Gene Wilder
- Brooks' First Payment For Young Frankenstein Was $57. Mel Brook is typically the creative force behind all his movies, but Young Frankenstein was actually an idea born of Gene Wilder.
- Gene Wilder Was Insistent Mel Brooks Not Appear in Young Frankenstein. Apparently during that same make-shift negotiation on the set of Blazing Saddles, Wilder had one condition for Brooks to start working on the film: he could not appear in the film.
- Brooks And Wilder Clashed Over ‘Puttin On The Ritz’ Scene. One of the most iconic scenes in Young Frankenstein is when the bold scientist shows the monster (played by Peter Boyle) to a group of distinguished scientists.
- Columbia Said No To Black And White, So Brooks Went To Fox. Here’s a Hollywood deal making story that is the stuff of legends. Young Frankenstein originally had a development deal at Columbia Pictures, with a deal to make and distribute the movie ready to go essentially finalized.
Dec 15, 2019 · Though not all of his feature films are direct spoofs of specific films or genres, he made his name by skewering almost every convention of cinema. From Blazing Saddles to Spaceballs to Silent...
Oct 30, 2021 · By parodying the genre conventions and clichés of classic horror, Young Frankenstein and Abbott and Costello Meet Frankenstein pay homage to these films’ cultural impact. Furthermore, the two films show audiences how genres can adapt and change in only a few decades.
Young Frankenstein is a 1974 American comedy horror film directed by Mel Brooks. The screenplay was co-written by Brooks and Gene Wilder. Wilder also starred in the lead role as the title character, a descendant of the infamous Dr. Victor Frankenstein. Peter Boyle portrayed the monster.
