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    • Textbook for use in acting classes

      • Respect for Acting is a textbook for use in acting classes written by Uta Hagen and published by Wiley Publishing in 1973.
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  1. Respect for Acting is a textbook for use in acting classes written by Uta Hagen and published by Wiley Publishing in 1973. Hagen's instructions and examples guide the user through practical problems such as: "How do I talk to the audience?" and "How do I stay fresh in a long run?".

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  3. Dec 6, 2023 · Since its original publication in 1973, Uta Hagen's Respect for Acting has remained a durable classic and a must-read for all students of acting. As an acting instructor at the Herbert Berghof Studio, Hagen helped to develop the talents of world-class actors like Robert DeNiro, Matthew Broderick, Gene Wilder, Amanda Peet, Austin Pendleton, Whoopi

  4. The classic book on acting, in an attractive updated edition. Since its original publication in 1973, Uta Hagen's Respect for Acting has remained a durable classic and a must-read for all students of acting.

  5. Jan 1, 2008 · Respect for Acting is Hagen's blueprint for the actor, her design for "enlightened stage acting." This classic book has helped generations of actors hone their craft, and its advice is as useful now as it was when it was first published.

    • (1.2K)
    • $14.58
    • Uta Hagen, Haskel Frankel
    • David Garfield, Uta Hagen
  6. Sep 1, 1973 · Respect for Acting. Uta Hagen, Haskel Frankel (Contributor) 4.19. 3,234 ratings164 reviews. "This fascinating and detailed book about acting is Miss Hagen's credo, the accumulated wisdom of her years spent in intimate communion with her art.

    • (3K)
    • Hardcover
  7. May 4, 2009 · Respect for Acting "This fascinating and detailed book about acting is Miss Hagen's credo, the accumulated wisdom of her years spent in intimate communion with her art. It is at once the...

  8. Sep 1, 1973 · Uta Hagen's "Respect for Acting" provides the reader with an accessible guide to what the actor should go through in preparing to act a role on stage, as well as how to approach the task of acting with self-respect and ability to perform a role.

    • Uta Hagen
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