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Still life with fruit a nest and a lizard: 1710: Private collection: New York City Flowers in a glass vase with a dragonfly, on a marble slab: 1710: B 407: Schloss Fasanerie: Eichenzell, Fulda Flowers in a glass vase on a marble slab: ca. 1710: 77.5 cm x 62.3 cm: 1899.1.26: The Wilson: Cheltenham Still life of fruits, animals and insects on a ...
Roman painting provides a wide variety of themes: animals, still life, scenes from everyday life, portraits, and some mythological subjects. During the Hellenistic period, it evoked the pleasures of the countryside and represented scenes of shepherds, herds, rustic temples, rural mountainous landscapes and country houses. [8]
Location. National Gallery, London. Accession. NG1256. Still Life: An Allegory of the Vanities of Human Life is an oil-on-panel painting by the Dutch Golden Age painter Harmen Steenwijck. Created around 1640, the work is an allegorical vanitas. It has been in the collection of the National Gallery in London since 1888.
Juan Gris, Nature morte à la nappe à carreaux (Still Life with Checkered Tablecloth), 1915, oil on canvas, 116.5 x 89.3 cm, Metropolitan Museum of Art, New York. The top auction price for a Gris work is $57.1 million (£34.8 million), achieved for his 1915 painting Nature morte à la nappe à carreaux (Still Life with Checked Tablecloth).
Dirck de Bray (1635–1694), 1 painting : Still-Life with Symbols of the Virgin Mary, Amstelkring Museum, Amsterdam ; Jan de Bray (1627–1697), 17 paintings : The Adoration of the Magi, Historisches Museum, Bamberg ; Joseph de Bray (1630–1664), 1 painting : Still-Life in Praise of the Pickled Herring, Gemäldegalerie, Dresden
History in painting Still life, Pompeii, c. AD 70. The phrase, which can also be spelled without the hyphen and ligature in English as trompe l'oeil, originates with the artist Louis-Léopold Boilly, who used it as the title of a painting he exhibited in the Paris Salon of 1800.
Charles Ethan Porter (1847 – March 6, 1923) was an American painter who specialized in still life painting. A student at the National Academy of Design in New York City, he was one of the first African Americans to exhibit there. He was the only African-American artist at the turn of that century who painted in still life.
