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  1. Benjamin Mark Lasker Wallfisch (born 7 August 1979) is a British composer, conductor and producer, known for his work on film scores.

  2. Benjamin Wallfisch. Composer: Blade Runner 2049. Golden Globe, BAFTA, 2x Grammy, Emmy and 5x World Soundtrack Award nominated composer Benjamin Wallfisch has worked on over 80 feature films, collaborating with directors including Ron Howard, Ted Melfi, Andy Muschietti, Christopher Nolan, David F. Sandberg, Leigh Whannell, Gore Verbinski, and ...

  3. Golden Globe®, Emmy®, Ivor Novello® and World Soundtrack Award nominated composer Benjamin Wallfisch has worked on over 60 feature films over the last decade, including 'HIDDEN FIGURES' and 'A CURE FOR WELLNESS'. Welcome to his official website.

  4. Jul 19, 2024 · Twisters composer Benjamin Wallfisch explains how he worked with filmmakers to craft a familiar but totally new sound.

  5. Benjamin has performed live in over 100 concerts worldwide, leading orchestras such as the London Philharmonic, Philharmonia, Los Angeles Philharmonic, Los Angeles Chamber Orchestra and the Sydney Symphony at venues including the Hollywood Bowl, Sydney Opera House and Royal Festival Hall.

  6. Oct 6, 2017 · Warner Bros. It ‘s been a big year for composer Benjamin Wallfisch. First, he reimagined Edward Elgar’s “Nimrod” to create the most talked-about musical moment in Christopher Nolan’s ...

  7. Golden Globe®, Emmy®, Ivor Novello® and World Soundtrack Award nominated composer Benjamin Wallfisch has worked on over 75 feature films.

  8. Nov 11, 2022 · To compose the music for Ron Howard’s Thirteen Lives — the true story of the global effort to rescue a Thai soccer team — composer Benjamin Wallfisch (Blade Runner 2049, the It movies) had ...

  9. Oct 17, 2017 · Blade Runner 2049 composer Benjamin Wallfisch talks about the film's unique score, working with Hans Zimmer, Vangelis, experimenting, and more.

  10. Apr 4, 2019 · The composer is London-born Benjamin Wallfisch, and his music for “Shazam!,” “Hellboy” and “Hostile Planet” couldn’t be farther apart in sound and style. But, as director James Marsh ...

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