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Jiang Wen (born 5 January 1963) is a Chinese actor, screenwriter, and director. As a director, he is sometimes grouped with the "Sixth Generation" that emerged in the 1990s. [2]
Wen Jiang was born on 5 January 1963 in Tangshan, China. He is an actor and director, known for Rogue One: A Star Wars Story (2016), Devils on the Doorstep (2000) and Let the Bullets Fly (2010). He has been married to Yun Zhou since 2005.
Nov 28, 2023 · Jiang Wen, a prominent Chinese filmmaker, is understood for his unique directorial design and detailed usage of importance in his movies. His distinct technique in storytelling and visual language has mesmerized audiences worldwide.
Wen Jiang was born on 5 January 1963 in Tangshan, China. He is an actor and director, known for Rogue One: A Star Wars Story (2016), Devils on the Doorstep (2000) and Let the Bullets Fly (2010). He has been married to Yun Zhou since 2005. They have two children.
Starting from the mad mother and her perplexed son in the countryside, we move to a school where three new characters, Teacher Liang, Old Tang (Jiang Wen), and Doctor Lin (Joan Chen) negotiate an alleged sexual harassment case with tragic consequences.
Jiang Wen (born 5 January 1963) is a Chinese film actor, screenwriter, and director. As a director, he is sometimes grouped with the "Sixth Generation" that emerged in the 1990s.
May 2, 2017 · Jiang shows the malleability of public opinion and draws humor from the absurdist nature of tradition and the villagers’ communal decision making.
Sep 21, 2007 · The Sun Also Rises: Directed by Wen Jiang. With Wen Jiang, Joan Chen, Anthony Chau-Sang Wong, Jaycee Chan. Jiang Wen stars in his third directorial work that boasts a stellar cast including Joan Chen, Anthony Wong and Jaycee Chan.
Aug 16, 2007 · For more than two decades, he has been the face of his country's art-house films, as a director and as China's most famous dramatic actor. He played Gong Li's winemaking paramour in...
Jiang Wen himself is an icon: a star actor who established himself in the mid ‘80s with larger-than-life performances filled with overwhelming energy, technical brilliance, and masculine brio in Xie Jin’s Hibiscus Town (1986) and Zhang Yimou’s Red Sorghum (1988).
