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  1. The Evil of Frankenstein

    The Evil of Frankenstein

    1964 · Horror · 1h 37m

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  1. The Evil of Frankenstein is a 1964 film directed by Freddie Francis. The third instalment in Hammer's Frankenstein series, it stars Peter Cushing, Sandor Elès and Kiwi Kingston.

  2. With Peter Cushing, Peter Woodthorpe, Duncan Lamont, Sandor Elès. Upon returning to his home village to continue his experimental research, the destitute Dr. Frankenstein revives his old creature, but a hypnotist wants the monster to control for himself.

  3. Jul 4, 2021 · The Evil of Frankenstein. Upon returning to his home village to continue his experimental research, the destitute Dr. Frankenstein revives his old creature, but a hypnotist wants the monster to control for himself.

  4. Dr. Frankenstein (Peter Cushing) returns destitute to his home village to recommence his experimental research into the reanimation of dead tissue, and stumbles upon his old monster suspended...

    • (7)
    • Horror
  5. The Evil of Frankenstein (1964) cast and crew credits, including actors, actresses, directors, writers and more.

  6. Apr 27, 2022 · It’s The Evil of Frankenstein that calls upon Peter Cushing to evolve his performance as the mad man so intent on resurrecting what should be dead and gone and, despite its...

  7. Penniless, Baron Frankenstein, accompanied by his eager assistant Hans, arrives at his family castle near the town of Karlstaad, vowing to continue his experiments in the creation of life.

  8. Once hounded from his castle by outraged villagers for creating a monstrous living being, Baron Frankenstein returns to Karlstaad. High in the mountains they stumble on the body of the creature, perfectly preserved in the ice.

  9. Penniless, Baron Frankenstein, accompanied by his eager assistant Hans, arrives at his family castle near the town of Karlstaad, vowing to continue his experiments in the creation of life.

  10. Jan 23, 2024 · A buffoonish and flamboyant reinvention of the Frankenstein mythology that ruptures all the logic and continuity of its predecessors by venturing into the aesthetic hybridization between the Frankenstein of Universal Pictures and that of Hammer Film productions.

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