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  1. Jul 7, 2004 · The LEADSINGER LS-2100 is a complete karaoke system that includes 200 FREE songs that are built into the microphone. There's no need to haul around bulky machines and loads of CDs. The LEADSINGER microphone fits in the palm of your hand and has a built-in video processor displays high-resolution video graphics and highlighted lyrics on your TV ...

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  2. New Listing Retro Leadsinger Portable New!! Karaoke Microphone System 1996. $67.49. Was: $74.99. or Best Offer. $13.08 shipping. Sponsored. LEADSINGER KARAOKE MICROPHONE LS-2100 POWER SUPPLY . NO CARTRIDGES.

  3. People also ask

    • Find The Right Mic
    • Use Dynamic EQ Or Multiband Compression
    • Talk to The Singer About Their Mic Technique
    • Switch in The Highpass
    • Ring Out The Mic
    • Have The Right Processing Gear
    • Compression Is Always Your Friend

    Eddie Mapp

    Paramore, Stone Temple Pilots, Papa Roach, Evanescence For tight dynamic vocal mics, the sE V7 or Telefunken M80 are great choices, and for an incredible-sounding handheld condenser, the Audio-Technica AE5400is amazing!

    Brad Divens

    Enrique Iglesias, Kanye West, Mötley Crüe, Bob Seger, OneRepublic, Linkin Park Picking the right vocal microphone is the most crucial part of getting a great lead vocal sound. Keep it simple when it comes to EQ and compression. Don’t get caught up in the plug-in world. Also tuning the PA is very important. I know that when the VTX A12 or VTX 25-II are firing correctly, the lead vocal will shine in the mix!

    Peter Keppler

    David Bowie, Nine Inch Nails, Bonnie Raitt, Katy Perry, Nicki Minaj The first thing is matching a good mic to the vocalist, and that involves a lot: how the singer likes to approach the mic. Do they like to “eat” it? Do they sometimes sing off to the side of it? What’s going on behind that vocalist as far as stage volume? In the case of an artist with an endorsement deal, this has often meant working with the manufacturer to find the best-sounding model for the singer. After that, I will usua...

    Scott Cameron

    Greta Van Fleet, Jason Bonham, The Black Angels, Taking Back Sunday Besides finding the best type of mic for my singer, I would say dynamic EQ, without a doubt. Something I have been using for a long time now is the BSS 901 — most digital consoles today have something similar or a plug-in built in. Having some sort of dynamic EQ like the BSS 901 on my lead vocal is something I can absolutely not live without.

    Jeff Sandstrom

    Chris Tomlin, Steven Curtis Chapman, North Point Community Church Start with a good singer. Talk to them about proper mic technique. Try multiband compression or dynamic EQ, if you have it, to tame problem frequencies at louder volumes. Compression is always your friend.

    Lynn Fuston

    Sweetwater Manager of Written Content, Twila Paris, Pine Hills City Church If you have a singer with bad mic technique, you have to address it at the source. If they pull the mic away when they get loud and their voice goes away, there’s nothing you can do to fix that at the console. If they hold the mic too far away or at the wrong angle, you’re stuck trying to fix problems instead of enhancing their sound. Approaching the singer with a constructive tone, instead of “You’re doing it wrong,”...

    Steve Wilson

    The Kentucky Headhunters Even though I always drive the subs (<80Hz) from an aux, I keep an eye on the 180Hz–400Hz range for the vocal. Too much here eats up headroom and really masks the useful part of the frequency range. I use the LA-2A plug-in included in the Midas M32/Behringer X32mixers to reign in the dynamic range. I’ll add just a faint hint of 120ms delay with the lows and highs rolled off and a plate reverb setting of 0.5-second decay, 90ms pre-delay, and the lows and highs rolled off.

    Shawn Dealey

    Counting Crows, Production Manager/FOH Audio at The Clyde Theatre Highpass! No need for mud in the vocal. I have no issue going up to 125Hz–150Hz with a highpass filter to get a clear-sounding vocal that sits on top of a mix.

    Kent Morris

    Peavey, First Baptist Church Atlanta Boost the mids and sweep them until the sound takes off in ringing, and then reduce that frequency to around -6dB.

    Brian Pomp

    Macklemore, Macy Gray, Avenged Sevenfold Rupert Neve Primary Source Enhancer. I won’t do a gig without it now. Empirical Labs DerrEsseris the best de-essing piece I’ve ever used and also goes with me everywhere. And Inward Connections Brute Limiter sounds incredible and transparent for live vocals. Doesn’t overdo it at all and holds the vocal together really well while allowing the dynamic nature of the vocal to remain. Great control.

    Josh Fisher

    Jesus Culture Control, control, control. The voice is very dynamic, meaning it can hit -30 on your meters then immediately jump up to redline without warning. I try to get a little more consistency without sucking the life out of it. I start with a limiter, fast attack and release. I want to catch those moments where the singer “takes my head off” and, in turn, help them stay in the mix. I only need a little bit of limiting gain reduction. Then I go to a soft knee 2:1 slower compressor, 100mS...

    Lynn Fuston

    Sweetwater Manager of Written Content, Twila Paris, Pine Hills City Church One trick I use for making the vocal sit solidly in the center of the mix is using dual compressors. On the first, I’ll set a compression ratio of 2:1 (or lower) and turn the threshold WAY down so that the vocal is in the compressor ALL THE TIME, but only slightly. The dbx 560A works very well for this. Even on the soft parts, the compressor may be pulling 0.5dB to 1dB, and on the loudest parts just pulling 3dB–4dB. Th...

  4. Jan 31, 2021 · Neumann U47. Mic type: Condenser. Frequency range: 40 Hz – 16 kHz. Sensitivity: 8mV/Pa. Polar Pattern: Cardioid. Connectivity: XLR. Description : It’s only fair we start this list with one of the most popular microphones of all time. The Neumann U47 was the first solid-state microphone to garner wide use among famous musicians.

  5. www.magickaraoke.com › LEADSINGER-LS-3222_p_296LEADSINGER LS-3222-EX37

    LEADSINGER model LS-3222 is a Wireless high-fidelity remote Duet Microphone that works with any 3000 series LEADSINGER Karaoke Microphones – including LS-3000 and LS-3700 (MAIN MIC). User simply plugs the Sub-Mic Receiving Pack (included) into the back of the MAIN MIC, press MODE + 6 (or 2 on some versions) on MAIN MIC, insert 2 AA ...

    • Entertech
    • LS3222
    • Usually ship within 1-3 business days.
    • 3.00 lbs
  6. Features. High-fidelity wireless remote duet microphone that works with any 3000 series Leadsinger karaoke microphones. Works simultaneously with the main mic (not included) and controls almost all functions of the main mic. Ultrahigh-band noise reduction. 3-minute auto shutoff.

  7. The LeadSinger Portable Karaoke Microphone hooks up easily to any TV for hours of sing-along fun. The mic has 300 songs built in and the capacity for over 1000 songs with four additional song-chip slots. You control the tempo, pitch key, melody, digital echo, and volume. Lyrics display, true color backgrounds, and pictures make for even more fun.

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