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- The field, as it is currently named, emerged in the 1950s, but ethnomusicology originated as “comparative musicology” in the late 19th century. Linked to the 19th-century European focus on nationalism, comparative musicology emerged as a project of documenting the different musical features of diverse regions of the world.
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Apr 25, 2021 · One of the main differences between musicology and ethnomusicology can be found in the way in which data are collected. While musicology makes use of preexisting sources such as music scores, literary, archaeological and iconographical materials, ethnomusicology collects data through fieldwork.
It is now more than 25 years since, according to common belief, Jaap Kunst first put “ethno-musicology” into print (Kunst 1950), and we thus ought to be able now to look back with some objectivity at what has since happened to that word, and what happened to its predecessor—“comparative musicology”—before it. In other words, the ...
Since ethnomusicology evolved from comparative musicology, some ethnomusicologists' research features analytical comparison. The problems arising from using these comparisons stem from the fact that there are different kinds of comparative studies with a varying degree of understanding between them. [27]
Some define it as the study of why and how humans make music. Others describe it as the anthropology of music. If anthropology is the study of human behavior, ethnomusicology is the study of the music humans make.
Ethnomusicology, field of scholarship that encompasses the study of all world musics from various perspectives. It is defined either as the comparative study of musical systems and cultures or as the anthropological study of music. Although the field had antecedents in the 18th and early 19th
The. purpose of this paper is to present some thoughts on the role of comparison. and comparative method in ethnomusicology, and to urge acceptance of. the view that comparative study is at some level one of its basic ingredients. There are two ways, at least, in which our basic problem must be con- sidered.
Apr 8, 2021 · The basic idea of Comparative Musicology was to ask for such universals, music as universal language, rather than to point to special aspects of ethnic groups or countries. Another example is the book ‘Tonpsychologie’ [Tone psychology] of Carl Stumpf [241], where he was asking what a musical tone indeed is.
