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    • Conversion of musical sounds into written notation

      • Transcription is the conversion of musical sounds into written notation. Ethnomusicologists often produce transcriptions and include them in their publications to better illustrate their argument.
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  2. Sep 8, 2021 · The perspective of this article is centred on the implications of the idea of notations capacity to act deconstructively for transcription practices in ethnomusicology.

    • Research Questions
    • History
    • Key Theories/Concepts
    • Methods
    • Ethical Considerations
    • Sources

    Ethnomusicologists study a wide range of topics and musical practices throughout the world. It is sometimes described as the study of non-Western music or “world music,” as opposed to musicology, which studies Western European classical music. However, the field is defined more by its research methods (i.e., ethnography, or immersive fieldwork with...

    The field, as it is currently named, emerged in the 1950s, but ethnomusicology originated as “comparative musicology” in the late 19th century. Linked to the 19th-century European focus on nationalism, comparative musicology emerged as a project of documenting the different musical features of diverse regions of the world. The field of musicology w...

    Ethnomusicology takes as given the notion that music can provide meaningful insight into a larger culture or group of people. Another foundational concept is cultural relativismand the idea that no culture/music is inherently more valuable or better than another. Ethnomusicologists avoid assigning value judgments like “good” or “bad” to musical pra...

    Ethnography is the method that most distinguishes ethnomusicology from historical musicology, which largely entails doing archival research (examining texts). Ethnography involves conducting research with people, namely musicians, to understand their role within their larger culture, how they make music, and what meanings they assign to music, amon...

    There are a number of ethical issues ethnomusicologists consider in the course of their research, and most relate to the representation of musical practices that are not “their own.” Ethnomusicologists are tasked with representing and disseminating, in their publications and public presentations, the music of a group of people who may not have the ...

    Barz, Gregory F., and Timothy J. Cooley, editors. Shadows in the Field: New Perspectives for Fieldwork in Ethnomusicology. Oxford University Press, 1997.
    Myers, Helen. Ethnomusicology: An Introduction. W.W. Norton & Company, 1992.
    Nettl, Bruno. The Study of Ethnomusicology: Thirty-three Discussions. 3rded., University of Illinois Press, 2015.
    Nettl, Bruno, and Philip V. Bohlman, editors. Comparative Musicology and Anthropology of Music: Essays on the History of Ethnomusicology. University of Chicago Press, 1991.
  3. ethnomusicology, transcription is one of the main important processes through which the ethnomusicologist can analyse a musical sound: Only with difficulty can transcription be separated from description and analysis of music, techniques that normally both precede and follow it. It is often regarded as the central and most difficult task of the

  4. In the end, I decided to speak with researchers whose work fell into six broad thematic areas: transcription in ethnomusicology (Tara Browner and Michael Tenzer); transcription of song lyrics (Dai Griffiths and Jennifer Roth-Gordon); transcription in popular music studies, with a particular emphasis on microrhythmic analysis (Anne Danielsen and ...

    • Jason Stanyek, Fernando Benadon, Tara Browner, Parag Chordia, Anne Danielsen, Emilia Gómez, Sumanth ...
    • 2014
  5. They include what music is and is not; what it does and cannot do; how it is acquired and how it should be transmitted; what value it has; what it should (and should not) be used for; what it has been in the past and what it will be in the future; whether it should be encouraged and supported, or discouraged and repressed; and so forth.

  6. The transcription practices used for indigenous musics in the settler states part of North America evolved drastically over time. Some of the earliest transcriptions of indigenous music were done by French music scholars during the 17th century. These tended to be in western styles, leaving out details that could not be adequately portrayed by ...

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