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  1. Feb 20, 2022 · Phil Mistry. The iconic logo of the lady holding the torch that you currently see at the beginning of every Columbia Pictures movie was born in the apartment of Pulitzer Prize-winning New...

  2. May 29, 2023 · Joseph, as you can see, is instantly recognizable as Miss Liberty, the torch-wielding figure in the Columbia Pictures logo that flashes before each of the studio’s movies.

  3. Feb 21, 2022 · Columbia Pictures' iconic logo of a woman holding a torch aloft is a painting by Michael Deas, based on a stunning reference photo by photographer Kathy Anderson.

  4. If you’ve ever watched a movie by Columbia Pictures then you know who the Torch Lady is—the woman who appears at the very beginning of every movie. The original photo was born in the apartment of Pulitzer Prize-winning New Orleans photographer Kathy Anderson back in 1991.

  5. Oct 14, 2017 · Undoubtedly one of the most recognizable logos in the film industry is Columbia Pictures’ which prominently features a lady that probably reminds people about the Statue of Liberty, more or less. So what’s the story behind this logo and who is that lady?

  6. Jun 8, 2023 · Columbia Pictures had commissioned Deas to update its longtime logo, showing a woman holding a torch similar to that of the Statue of Liberty.

  7. Sep 7, 2016 · The Columbia Pictures Torch Lady has been gracing the silver screen ever since the company was first founded in 1924, but her real life persona would remain unknown until Michael Deas was commissioned to create a new matte painting in the 1990s.

  8. Story behind one of the most iconic images in cinema history revealed. She's one of the most recognised faces in modern cinema history, but the story behind how the Columbia Pictures "torch lady" came to be on the big screen could be worthy of a movie on its own.

  9. Jul 17, 2023 · When you think of national symbols for America, what images spring to your mind? Uncle Sam? The Stars and Stripes?

  10. Aug 26, 2010 · A few years back someone discovered photos of Rose Edna Turiello, who worked for Columbia in the 1930s, draped in a toga and holding a torch. Her husband, James, had been a photographer.

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