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  1. Dictionary
    Hu·mor
    /ˈ(h)yo͞omər/

    noun

    • 1. the quality of being amusing or comic, especially as expressed in literature or speech: "his tales are full of humor" Similar comical aspectcomic sidefunny sidecomedyOpposite seriousness
    • 2. a mood or state of mind: "her good humor vanished" Similar moodtemperdispositiontemperament

    verb

    • 1. comply with the wishes of (someone) in order to keep them content, however unreasonable such wishes might be: "she was always humoring him to prevent trouble"
  2. Learn the various meanings and uses of the word humor, from its origin in ancient and medieval physiology to its modern sense of comedy and wit. Find synonyms, examples, phrases, and related articles for humor.

  3. Humor is the ability to find things funny or the quality in something that causes amusement. Learn how to use humor as a noun, verb and adjective, and see related words and phrases in different contexts.

  4. What is a basic definition of humor? Humor is the ability of something to cause amusement or laughter. Humor is also a person’s ability to find amusement or comedy in something.

  5. Humour is the ability to find things funny, the way in which people see that some things are funny, or the quality of being amusing. Learn more about humour, its synonyms, related words and phrases, and how to use it in different contexts.

    • Overview
    • The logic of laughter
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    humour, communication in which the stimulus produces amusement.

    In all its many-splendoured varieties, humour can be simply defined as a type of stimulation that tends to elicit the laughter reflex. Spontaneous laughter is a motor reflex produced by the coordinated contraction of 15 facial muscles in a stereotyped pattern and accompanied by altered breathing. Electrical stimulation of the main lifting muscle of the upper lip, the zygomatic major, with currents of varying intensity produces facial expressions ranging from the faint smile through the broad grin to the contortions typical of explosive laughter.

    The laughter and smile of civilized man is, of course, often of a conventional kind, in which voluntary intent substitutes for, or interferes with, spontaneous reflex activity; this article is concerned, however, only with the latter. Once laughter is realized to be a humble reflex, several paradoxes must be faced. Motor reflexes, such as the contraction of the pupil of the eye in dazzling light, are simple responses to simple stimuli whose value to survival is obvious. But the involuntary contraction of 15 facial muscles, associated with certain irrepressible noises, strikes one as an activity without any utilitarian value, quite unrelated to the struggle for survival. Laughter is a reflex but unique in that it has no apparent biological purpose. One might call it a luxury reflex. Its only function seems to be to provide relief from tension.

    The second related paradox is a striking discrepancy between the nature of the stimulus and that of the response in humorous transactions. When a blow beneath the kneecap causes an automatic upward kick, both “stimulus” and “response” function on the same primitive physiological level, without requiring the intervention of the higher mental functions. But that such a complex mental activity as reading a comic story should cause a specific reflex contraction of the facial muscles is a phenomenon that has puzzled philosophers since Plato. There is no clear-cut, predictable response that would tell a lecturer whether he has succeeded in convincing his listeners; but, when he is telling a joke, laughter serves as an experimental test. Humour is the only form of communication in which a stimulus on a high level of complexity produces a stereotyped, predictable response on the physiological reflex level. Thus the response can be used as an indicator for the presence of the elusive quality that is called humour—as the click of the Geiger counter is used to indicate the presence of radioactivity. Such a procedure is not possible in any other form of art; and, since the step from the sublime to the ridiculous is reversible, the study of humour provides clues for the study of creativity in general.

    The range of laughter-provoking experiences is enormous, from physical tickling to mental titillations of the most varied kinds. There is unity in this variety, however, a common denominator of a specific and specifiable pattern that reflects the “logic” or “grammar” of humour, as it were. A few examples will help to unravel that pattern.

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    •1. A masochist is a person who likes a cold shower in the morning so he takes a hot one.

    •2. An English lady, on being asked by a friend what she thought of her departed husband’s whereabouts: “Well, I suppose the poor soul is enjoying eternal bliss, but I wish you wouldn’t talk about such unpleasant subjects.”

    •3. A doctor comforts his patient: “You have a very serious disease. Of 10 persons who catch it, only one survives. It is lucky you came to me, for I have recently had nine patients with this disease and they all died of it.”

    Humor is a type of stimulation that elicits laughter, a reflex with no apparent biological purpose. Humor involves a sudden clash or shift of associative contexts, or frames of reference, that produce a comic effect.

  6. a message whose ingenuity or verbal skill or incongruity has the power to evoke laughter. synonyms: humour, wit, witticism, wittiness. see more. noun. the trait of appreciating (and being able to express) the humorous. “she didn't appreciate my humor ”.

  7. Humour is the ability to find things funny, the way in which people see that some things are funny, or the quality of being funny. Humour can also mean the state of your feelings, or to do what someone wants so that they do not become annoyed or upset.

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