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- Rotten Tomatoes, a review aggregator, reports that 37% of 79 surveyed critics gave the film a positive review; the average rating was 5.27/10. The site's critical consensus reads: " The Final Cut fails to make compelling use of its intriguing premise and talented cast, settling for a middling sci-fi drama that never justifies its pretensions."
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Jul 14, 2023 · “Final Cut” feels long, even if it’s only about 12 minutes longer than “One Cut of the Dead.” However, that extra legwork does not confer greater depth, nor does this sort of high-concept stunt play to its cast or writer/director’s comedic strengths.
- The Final Cut movie review & film summary (2004) | Roger Ebert
The movie is bookended with the story of a childhood tragedy...
- Apocalypse Now: Final Cut movie review (2019) | Roger Ebert
The spectacularly ambitious grafting of Joseph Conrad ’s...
- The Final Cut movie review & film summary (2004) | Roger Ebert
Oct 15, 2004 · The Final Cut fails to make compelling use of its intriguing premise and talented cast, settling for a middling sci-fi drama that never justifies its pretensions. Read Critics Reviews
- (1K)
- Omar Naim
- PG-13
- Robin Williams
Nov 11, 2004 · The Final Cut: Directed by Omar Naim. With Robin Williams, Mira Sorvino, Jim Caviezel, Mimi Kuzyk. Set in a world with memory recording implants, Alan Hakman is a cutter, someone with the power of final edit over people's recorded histories. His latest assignment is one that puts him in danger.
- (34K)
- Drama, Sci-Fi, Thriller
- Omar Naim
- 2004-11-11
The Final Cut is a 2004 science fiction psychological thriller film written and directed by Omar Naim. It stars Robin Williams, Jim Caviezel, Mira Sorvino, Mimi Kuzyk, Stephanie Romanov, Genevieve Buechner and Brendan Fletcher. The film takes place in a setting where brain implants make it possible to record the sight and sound of entire lives.
- $3,618,825
- Brian Tyler
The Final Cut is the story of the latter days of a cutter, Alan W. Hakman (Robin Williams). While The Final Cut is enjoyable enough, it has tremendous squandered potential. As one would expect, Williams turns in an incredible performance, but the script, by writer/director Omar Naim, could have used a lot of work.
