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  1. Nov 9, 2021 · In this article, I propose that provenancial fabulation can be characterized through four dimensions: first, it plays with contradictory records contexts putting them in conversation with one another; second, it troubles the order and organization of the past; third, it extends the temporal and spatial boundaries of historical records and ...

    • Jessica M. Lapp
    • jessica.lapp@utoronto.ca
    • 2021
  2. May 1, 2019 · Hartman’s 2008 essay, “Venus in Two Acts,” concluded by proposing an approach called “critical fabulation,” through which a researcher might use narrative to respond creatively to ...

  3. May 24, 2016 · This drew to mind Pierre Cassou-Nogues’s seminar on how speculative fiction or thought might be the solution to the inaccessibility of the “past.” For those of you who weren’t at the talk, I’ll try to focus on those elements of it that pertain to what I’m discussing in this blog post.

  4. Nov 1, 2013 · TLDR. This analysis uses feminist speculative fiction as a resource for reimagination and posthuman ethical thinking by focusing on three ethical movements experienced by a central character named Toby in Margaret Atwood’s MaddAddam trilogy, and considers the vulnerability that arises from openness to affect. Expand.

  5. It is the speculative affirmation that things might be otherwise but will be otherwise only if we learn to cultivate the art of being affected by what we learn to listen to, and of thinking with—not about—what affects us.

  6. A collection of genres and culturally situated practices, speculative fiction is effectively what Pierre Bourdieu has called a cultural field: a domain of activity defined by its own field-specific rules of functioning, agents, and institutions.

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  8. Oct 3, 2018 · In Staying with the Trouble Haraway describes what she’s come to call speculative fabulation as a “mode of attention, a theory of history, and a practice of worlding” (p. 230).

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