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"Ode to Joy" (German: "An die Freude" [an diː ˈfʁɔʏdə]) is an ode written in the summer of 1785 by German poet, playwright, and historian Friedrich Schiller. It was published the following year in the German magazine Thalia .
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What delights us in his poetry was achieved through hard work, and he was constantly working on himself. He had written a series of essays on his "Don Carlos", "Letters on Don Carlos", in which he exposed the faults of this poetry in the most unsparing manner.
- The future comes slowly, the present flies and the past stands still forever. Friedrich Schiller. Past, Forever, Stills.
- When you are not happy with your life, always think that someone is happy simply because you exist. Friedrich Schiller. Happiness, Thinking, Not Happy.
- Only those who have the patience to do simple things perfectly will acquire the skill to do difficult things easily. Friedrich Schiller. Leadership, Patience, Learning.
- It is well for a man when he has learned to endure what he cannot change, and to give up with dignity what he cannot retain. Friedrich Schiller. Giving Up, Men, Dignity.
Friedrich Schiller was a playwright, poet, philosopher, physician and historian – and has been called by some Germany’s most important classical playwright. He engaged with dramatic structure in innovative ways and was creative with new forms including melodrama and bourgeois tragedy.
Apr 21, 2017 · Johann Christoph Friedrich Schiller (1759–1805) is best known for his immense influence on German literature. In his relatively short life, he authored an extraordinary series of dramas, including The Robbers, Maria Stuart, and the trilogy Wallenstein.
Johann Christoph Friedrich von Schiller (German: [ˈjoːhan ˈkʁɪstɔf ˈfʁiːdʁɪç fɔn ˈʃɪlɐ], short: [ˈfʁiːdʁɪç ˈʃɪlɐ] ⓘ; 10 November 1759 – 9 May 1805) was a German playwright, poet, philosopher and historian. Schiller is considered by most Germans to be Germany's most important classical playwright. He was born in ...
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Friedrich Schiller was a leading German dramatist, poet, and literary theorist, best remembered for such dramas as Die Räuber (1781; The Robbers), the Wallenstein trilogy (1800–01), Maria Stuart (1801), and Wilhelm Tell (1804).
