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  1. Although the practice of printing written sources is part of a much older tradition in East Asia, the production of printed imagery using woodblocks was a more common phenomenon in Europe, starting in late fourteenth-century Germany and subsequently spreading to the Netherlands and south of the Swiss Alps to areas of northern Italy.

  2. Dec 6, 2023 · Although the practice of printing written sources is part of a much older tradition in East Asia, the production of printed imagery using woodblocks was a more common phenomenon in Europe, starting in late fourteenth-century Germany and subsequently spreading to the Netherlands and south of the Swiss Alps to areas of northern Italy.

  3. Although the practice of printing written sources is part of a much older tradition in East Asia, the production of printed imagery using woodblocks was a more common phenomenon in Europe, starting in late fourteenth-century Germany and subsequently spreading to the Netherlands and south of the Swiss Alps to areas of northern Italy.

  4. In Europe, printmaking was underway as early as the 6 th century, when people were printing on textile. When the process of papermaking was imported from the East to Europe, Europeans also started printing on paper.

  5. Nov 24, 2022 · In the early sixteenth century, printmaking in Europe saw a radical change due to the innovation of the genius artist Albrecht Dürer. Here's how he revolutionized the medium. Nov 24, 2022 • By Eve Cobb, BA (Hons) History of Art (in progress)

  6. 3 days ago · Printmaking, an art form consisting of the production of images, usually on paper but occasionally on fabric, plastic, or other support, by various techniques of multiplication under the supervision of or by the artist. Such fine prints are considered original works of art, even though they can exist in multiples.

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  8. Prints replaced drawn medieval model books as an inexhaustible source of motifs—figures in every position ( 17.50.99; 19.74.1 ), architectural models ( 41.100.126.19 ), ornamental designs ( 29.16.1; of 49.95.41 )—that could be incorporated into other works of art.

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