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- Blade Runner initially underperformed in North American theaters and polarized critics; some praised its thematic complexity and visuals, while others critiqued its slow pacing and lack of action. The film's soundtrack, composed by Vangelis, was nominated in 1982 for a BAFTA and a Golden Globe as best original score.
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I recommend listening to the "1492: Conquest of Paradise" album too. It's my favourite Vangelis soundtrack aside from Blade Runner Esper Edition. Where Blade Runner counjures up the future and the neon and the loneliness, 1492 brings sweltering heat, culture shock and exotic adventure.
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Blade Runner: Original Motion Picture Soundtrack is the soundtrack for Ridley Scott's 1982 science-fiction noir film Blade Runner, composed by Greek electronic musician Vangelis. It has received acclaim as an influential work in the history of electronic music and one of Vangelis's best works. [3]
Vangelis' music is diverse, but there are a few albums that are close to his Blade Runner work, with a lot of the same sounds and synth pads, and similar atmospheric feel. The City, mentioned by another, is good. One track you'll probably like is Reve, from Opera Sauvage. It has a feel similar to Blade Runner Blues.
Nov 23, 2018 · Vangelis created nothing short of the Mona Lisa of synth scores with Blade Runner, an absolute masterpiece in both music and style that still to this day remains unmatched. It is hard to describe just how fantastic Blade Runner is, both as a film and a standalone album.
Oct 4, 2017 · Soundtracks are a substantial additional outlay for a film. Many, as a consequence of cost, float along on of-their-moment pop songs that barely relate to the events occurring on screen. It’s cheaper, and easier, to simply buy licenses than to compose specifically for a film.
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Redditors have expressed strong positive opinions about the Blade Runner movie soundtrack, with many considering it one of the best film scores of all time. Vangelis' work on the soundtrack is highly praised, with tracks such as "Memories of Green," "Tears in Rain," "End Titles," "Love Theme," and "Blade Runner Blues" being particularly popular ...
Every piece of audio in Blade Runner, “including score, sound design, and dialogue,” is tightly integrated: “each blurs into the others.” Puschak shows us how, as in the scene above, the film keeps the audience unaware of “where the music ends and the world begins,” by matching the qualities of the music to the ...
