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- So it’s no surprise that his new film, Studio 54 (out October 5), cuts through decades of rumors, legends, and myth-making to tell the real story of how Ian Schrager and Steve Rubell, two young men from New York’s outer boroughs, created the most famous nightclub of all time.
www.townandcountrymag.com › leisure › arts-and-cultureIan Schrager Talks About the True Story of Studio 54 - Matt ...
Oct 3, 2018 · Here, Tyrnauer talks to T&C about the legacy of Studio 54 and how he got Schrager, the club’s only surviving founder and today a celebrated hotelier, to tell his story for the very first time.
- arathe@hearst.com
- Deputy Features Director
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Oct 5, 2018 · Studio 54: Directed by Matt Tyrnauer. With Ian Schrager, Steve Rubell, Donald Rubell, Neil Schlesinger. The story of the notorious 1970s New York City nightclub.
- (3.6K)
- Documentary, History, Music
- Matt Tyrnauer
- 2018-10-05
Studio 54 is a 2018 American documentary film directed by Matt Tyrnauer, examining the meteoric history of the Studio 54 nightclub, an extravagant disco venue infamous for hedonistic excess. Those responsible for the club's wild success reflect on the scene they sparked in 1977.
54 is a 1998 American drama film written and directed by Mark Christopher. Starring Ryan Phillippe, Salma Hayek, Neve Campbell, and Mike Myers, the film focuses on the rise and fall of Studio 54, a famous nightclub in New York City during the late 1970s and early 1980s.
Oct 4, 2018 · It was a role-reversal rip-off of Sister Carrie, a pat Hollywood morality tale of urban iniquity and all that glitters is not gold. Christopher cast Mike Myers as Studio cofounder Steve Rubell ...
- Julia Felsenthal
Studio 54 was the epicenter of 70s hedonism - a place that not only redefined the nightclub, but also came to symbolize an entire era. Its co-owners, Ian Schrager and Steve Rubell, two friends from Brooklyn, seemed to come out of nowhere to suddenly preside over a new kind of New York society.
Oct 5, 2018 · My unhealthy obsession with Studio 54 wasn’t sated with Mark Christopher’s 1998 fictional feature “54” because its plot had been butchered into a dull respectability by Miramax. Unfortunately, “Studio 54” has a similarly unsatisfying problem—it feels a bit too tame.
