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  1. Each piece of jewelry at Jules by the Sea is meticulously handcrafted, infused with the spirit of Santa Barbara's coastal allure. From the intricate designs inspired by the rhythm of the ocean waves to the vibrant hues reminiscent of a sun-kissed horizon, our artisans pour their heart and soul into every creation, ensuring that each piece is as ...

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      I will exchange or offer credit for all sales but due to the...

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      Jules by the Sea, SB are creations from my love affair with...

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      Gold fill jewelry may cost more upfront, but in the long...

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      Come to Santa Barbara and get a fun and meaningful SB...

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  2. Come to Santa Barbara and get a fun and meaningful SB Permanent Bracelet welded "zapped" on by Jules at Jules by the Sea. Choose your 14k gold chain and can create a beautiful experience to take with you permanently.

  3. Feb 13, 2010 · Even though Barbier did not personally have a hand in the creation of Berlioz’ “La Damnation de Faust”, this uncompromisingly melodic masterpiece profoundly influenced Barbier and Gounod in their development of the most successful adaptation of Goethe’s “Faust” in any medium.

  4. Paul Jules Barbier (8 March 1825 – 16 January 1901) was a French poet, writer and opera librettist who often wrote in collaboration with Michel Carré. He was a noted Parisian bon vivant and man of letters.

  5. Faust, Charles Gounod’s operatic retelling of the Faust legend, debuted at the Théatre-Lyrique on 19 March 1859. It was adapted by Jules Barbier and Michel Carré from Carré’s play Faust et Marguerite, in its turn loosely based on Goethe’s Faust, Part I. Faust was declined at the National Opera House, on the grounds that it was not ...

  6. Faust is an opera in five acts by Charles Gounod to a French libretto by Jules Barbier and Michel Carré from Carré's play Faust et Marguerite, in turn loosely based on Johann Wolfgang von Goethe's Faust, Part One.

  7. Jules Barbier, one of the most important librettists of the 19th century, began his career with the production of his intermède, L'Ombre de Molière, at the Comédie-Française (1847). In the years that followed, he worked with Labiche, Decourcelle and Battu but, between 1849 and 1872, his main collaborator was Michel Carré, with whom he ...

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