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Music goes from heart to heart, and nothing can touch us more deeply. No other art form is capable of moving us so directly. According to some researchers, even the Neanderthals recognised a difference between the language of emotions (music) and the language of concrete messages (words). Nonetheless, ‘music and emotion’ is a fraught and ...
- Leo Samama
- 2016
Appearance emotionalism. Two of the most influential philosophers in the aesthetics of music are Stephen Davies and Jerrold Levinson. [1][2] Davies calls his view of the expressiveness of emotions in music "appearance emotionalism", which holds that music expresses emotion without feeling it. Stephen Davies was the first to claim that "music is ...
Searches related to of emotion and meaning in music theory examples
Dec 31, 2013 · a theory of musical emotions. An account of the relationship between aesthetic judgments and. emotions may also help to relate the field of emotion to studies of preference (Berlyne, 1971 ...
Aug 22, 2013 · A common approach to study emotional reactions to music is to attempt to obtain direct links between musical surface features such as tempo and a listener’s res...
- Patrik N. Juslin, László Harmat, Tuomas Eerola
- 2014
Emotion and Meaning in Music. By Leonard B. Meyer. Giicago: University of Chicago Press, 1957, 307 pages, $5.75. Of the few authors in recent times who have had the courage and patience to tackle the subject suggested by this title, Mr. Meyer is one of the most successful in delineating the problem. Although the author's treatment of the topic ...
Mar 6, 2009 · This account of musical experience allows Nussbaum to advance a genuinely original theory of emotional expression in music. Nussbaum argues that a musical episode is "a representation with nonconceptual content, a pushmi-pullyu representation mandating construction of a model of a virtual feature domain " (237) through which the listener can ...
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Leonard B. Meyer. “Altogether it is a book that should be required reading for any student of music, be he composer, performer, or theorist. It clears the air of many confused notions . . . and lays the groundwork for exhaustive study of the basic problem of music theory and aesthetics, the relationship between pattern and meaning.”—David ...
