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The Map of Hell
- The Map of Hell (in Italian La Mappa dell’Inferno) by Botticelli – regularly called The Abyss of Hell or La Voragine dell’Inferno – is one of the parchments that the famous Italian painter designed to illustrate an edition of The Divine Comedy by Dante Alighieri.
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The Map of Hell painting by Botticelli is one of the extant ninety-two drawings that were originally included in the illustrated manuscript of Dante's Divine Comedy Artist Sandro Botticelli
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Sep 3, 2021 · Dante’s Inferno, written in the late medieval period, is a three-part epic poem that imagines the kingdoms of the afterlife. While exiled from his hometown of Florence, Dante penned the poem that would go on to be one of the defining works of the medieval period.
- Faith Lee
The Inferno describes the journey of a fictionalised version of Dante himself through Hell, guided by the ancient Roman poet Virgil.
Jul 12, 2022 · La Divina Commedia: Dante’s Inferno and Renaissance Art. There are many viewpoints on what hell looks like and yours may sound something along the lines of a seven-headed beast, a fiery pit of hellfire, souls being tortured in the underworld, and even perhaps your own personal room where you are forced to face your deepest darkest fears…
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Jun 22, 2013 · The Map of Hell (in Italian La Mappa dell’Inferno) by Botticelli – regularly called The Abyss of Hell or La Voragine dell’Inferno – is one of the parchments that the famous Italian painter designed to illustrate an edition of The Divine Comedy by Dante Alighieri.
French sculptor Auguste Rodin’s bronze work shows that romantic, but damning, kiss. Rodin designed this sculpture for his Gates of Hell, two bronze doors inspired by Dante’s Inferno. His iconic sculpture, The Thinker, also came from this work. The man resting his chin on his hand represents Dante.
Botticelli’s “Chart of Hell,” writes Deborah Parker, “has long been lauded as one of the most compelling visual representations… a panoptic display of the descent made by Dante and Virgil through the ‘abysmal valley of pain.’” Below it, we see one of Antonio Manetti’s 1506 woodcut illustra ...
