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Jun 30, 2021 · The five articles in this issue 1 are all grounded in contemporary ethnographic fieldwork, and all emphasise the value of research on music, both for scholarly understandings of particular social worlds and as representations of cultural identity for communities of music-makers.
- Georgia Curran, Mahesh Radhakrishnan
- 2021
May 10, 2024 · Musical similarity contains independent structure compared to language and genetics. We introduced three possibilities for why we might observe geographical patterning in musical style: (1) a...
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Aug 25, 2021 · Introduction. This article sets out to examine the trajectory and scholarly potential of practice research in ethnomusicology and to examine the utility of performance in ethnomusicological research.
- Simon McKerrell
- 2021
Jan 1, 2014 · The current study is strongly influenced by feminist theory, which seeks to uncover experiences obscured by patriarchal epistemologies.
- Ellen Koskoff
Apr 29, 2022 · We have shown how every contextualised act of embodied musical experience through performance may contribute to the creation of original knowledge, provided that this new knowledge is reflexively theorised and documented using ethnomusicology’s ethnographic methods.
From the early 1980s to 2000 ethnomusicologists turned their attention to gender and music; the effect of media and technology on music; music, politics, and power; individual agency in culture; social and individual identity; and the effect on music of migrations, diaspora, and globalization.
Ethnomusicology research consists of four main activities: interviews; participant-observation of musical events and community life; music and dance lessons; and audio and video recordings. Keywords: Deep Forest, ethnomusicology, Jewish music, Alan Lomax, Charles Seeger, Turkish Music.
