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  1. Aug 25, 2021 · This article sets out to examine the trajectory and scholarly potential of practice research in ethnomusicology and to examine the utility of performance in ethnomusicological research. Ethnomusico...

    • Simon McKerrell
    • 2021
  2. Jun 30, 2021 · The five articles in this issue 1 are all grounded in contemporary ethnographic fieldwork, and all emphasise the value of research on music, both for scholarly understandings of particular social worlds and as representations of cultural identity for communities of music-makers.

    • Georgia Curran, Mahesh Radhakrishnan
    • 2021
  3. Ethnomusicology research consists of four main activities: interviews; participant-observation of musical events and community life; music and dance lessons; and audio and video recordings. Keywords: Deep Forest , ethnomusicology , Jewish music , Alan Lomax , Charles Seeger , Turkish Music

  4. May 30, 2024 · These teaching and training guidelines provide practical advice and insights into the process of conducting a local-level field documentation project. These guides cover essential topics such as: project planning; research ethics from the perspectives of the fields of folklore, anthropology, ethnomusicology and museum studies; and intellectual ...

    • Maureen Russell
    • 2016
  5. Applied ethnomusicology is a field of practice and theory, rather than a discipline with a bounded subject and an established, universally agreed-upon methodology. A branch of the academic discipline of ethnomusicology, its scope is still expanding.

  6. I then propose four key concepts in ethnomusicology, and explain how these are apparent in museum displays of musical instruments: the materiality of music, the process of ‘musicking’ in museums; the ethics of representation and ownership; and applied ethnomusicology.

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  8. Feb 20, 2012 · Nettl himself, in a landmark article published in 1963, sought to apply the techniques of ethnomusicology to ‘western’ music by conducting a questionnaire survey of college students examining their classifications of music, and asking what these might reveal about aspects of culture beyond music.

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