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Joseph Lee Williams (October 16, 1903 – December 17, 1982) [2] was an American Delta blues guitarist, singer, and songwriter, [1] notable for the distinctive sound of his nine-string guitar.
Mar 9, 2012 · Big Joe Williams - Baby Please Don't Go. Santi GO. 494 subscribers. Subscribed. 252. 44K views 12 years ago. Album: Blues From The Southside ...more.
Big Joe Williams. Delta blues pioneer famous for originating "Baby Please Don't Go." Read Full Biography. STREAM OR BUY: Active. 1930s - 1970s. Born. October 16, 1903 in Crawford, MS. Died.
Big Joe Williams at the Bagneux Festival 1971. For other Country Blues videos go to: https://stefan-grossmans-guitar-workshop.webflow.io/stefan-grossmans-gui...
Jun 28, 2020 · Big Joe Williams - Hand Me Down My Old Walking Stick [Full Album] Cuervo rojo. 70.4K subscribers. Subscribed. 155. 6.4K views 3 years ago. 01 Hand Me Down My Old Walking Stick 02 Mama Don't...
"Baby, Please Don't Go" is a traditional blues song that was popularized by Delta blues musician Big Joe Williams in 1935. Many cover versions followed, leading to its description as "one of the most played, arranged, and rearranged pieces in blues history" by French music historian Gérard Herzhaft.
Even in a blues world populated by colorful and idiosyncratic characters, Big Joe Williams loomed as one of the most inimitable – and irascible. Born to ramble, he left his Crawford, Mississippi, home at age 12 or his early teens, worked across the South in levee camps, minstrel shows, and other settings, and spent most of his career ...
Big Joe Williams Greatest Hits. A new music service with official albums, singles, videos, remixes, live performances and more for Android, iOS and desktop.
Joseph Lee Williams (October 16, 1903 – December 17, 1982), [2] billed throughout his career as Big Joe Williams, was an American Delta bluesguitarist, singer and songwriter, [1] notable for the distinctive sound of his nine-string guitar.
Mississippi's Big Joe Williams and His Nine-String Guitar. This vital reissue captures the dynamic range of Williams’s work with clarity and presence from the quietest, almost whisper-like guitar to his loudest shouts, and everything in between. 13 tracks, originally recorded in a Chicago studio during 1961.
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