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  1. A short summary of August Wilson's Fences. This free synopsis covers all the crucial plot points of Fences.

  2. Fences is a 1985 play by the American playwright August Wilson. Set in the 1950s, it is the sixth in Wilson's ten-part "Pittsburgh Cycle". Like all of the "Pittsburgh" plays, Fences explores the evolving African-American experience and examines race relations, among other themes.

  3. Feb 14, 2017 · Fences is a 1983 play by American playwright August Wilson. Set in the 1950s, it is the sixth in Wilson's ten-part "Pittsburgh Cycle". Like all of the "Pittsburgh" plays, Fences explores the evolving African-American experience and examines race relations, among other themes.

  4. Get all the key plot points of August Wilson's Fences on one page. From the creators of SparkNotes.

  5. Fences, a play by August Wilson, was first performed in 1985. The story is set in the 1950s and revolves around Troy Maxson, an African American former baseball player who now works as a garbage collector in Pittsburgh.

  6. Sep 5, 2023 · Fences is a play by August Wilson in which frustrated protagonist Troy alienates his family through a series of tragic decisions. Troy moved up north in his youth...

  7. Oct 1, 2019 · Here's a character and setting analysis of August Wilson's play 'Fences,' arguably the playwright's most renowned work.

  8. Fences was made into an award-winning 2016 film starring Denzel Washington and Viola Davis. Wilson died in 2005, but finished a draft of the screenplay before his death. The best study guide to Fences on the planet, from the creators of SparkNotes. Get the summaries, analysis, and quotes you need.

  9. Fences is Wilsons most revered play, exploring themes of social movement, racial relations, and masculine stoicism of the 1950s. Fences would be little without its true tragic hero whose authoritative control of his household does little to win sides with the audience.

  10. Dec 15, 2016 · Director/star Denzel Washington faithfully adapts August Wilson's searing, Pulitzer-winning play. The brilliant result is "moviemaking as public service," says critic Andrew Lapin.

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